Nasby in Exile: or, Six Months of Travel in England, Ireland, Scotland, France, Germany, Switzerland and Belgium, with many things not of travel
John Locke · en
It was built originally as a stronghold, to keep the fiery and oft-times
rebellious citizens of London in check, and was afterward occupied
alternately, or at the same time, as a prison or palace. Many a terrible
drama has been enacted within the ancient walls, many a broken heart has
wasted away within the solid stone in its gloomy dungeons, and many a
noble head has parted company with its body, under its cold shadow, and
there is any quantity of "human interest," as the dramatists say,
connected with it. There is a strong flavor of murder all through it,
there is cruelty written upon every stone, and treachery and death on
every inch of the cold, paved floors.
If a king desired to put quietly out of the way a dangerous rival, or if
he lusted after a woman, or wanted anything that was especially unlawful
and damnable, he could not have been better fixed for the business than
with this fortress, provided he had a sufficient number of servitors to
do his bidding faithfully. And that sort of material was very plenty, in
those days, for kings who had the means of rewarding them. The devil
himself could not have fitted up a better arrangement if he had given
his whole mind to the matter, and his ability in this direction is
unquestioned.
There are dungeons where an unfortunate's cries could never be heard;
there are cells so strong that escape was simply impossible, even
without the watchful care of the soldiery with which it was filled, and
in short over each of its gates might well be written, "Who enters here
leaves hope behind." It is a wonderful but an intensely disagreeable
place.
These old places are not the most cheerful in the world, but still I
like them. A ride behind a tandem team through the green lanes of
Hampstead, with the beautiful hedges on either hand, and the quaint old
houses with their steep red-tiled roofs, and their low rooms and curious
little windows that look more like eyes than windows, the broad fields,
grass green, (grass is greener in England than America,) with the
beautiful sleek cattle feeding peacefully, is a more pleasant thing, for
it is a singular as well as delightful mixture of to-day and yesterday.
The fields and cattle are of to-day, the houses are of a long ago
yesterday, but there is added what the Tower has not, the sun, which is
of yesterday, to-day, and to-morrow, shining down, and lighting up the
quiet glories that surround you. This is not depressing. The houses fit
the atmosphere--in good sooth I cannot imagine such houses in any other
atmosphere, and certainly the atmosphere would not be complete without
the houses. Everything adapts itself to everything else. A pale face
would be as much out of place in an American rum shop as a strawberry
patch in an alkaline desert. Rum requires something lurid--the quiet,
soft, hazy English atmosphere exactly fits the soft brown and the
subdued red that almost narrowly escapes being a brown of the houses.
[Sidenote: THE CHEERFULNESS OF THE TOWER.]