Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
What John Fletcher,--a lad of seventeen, when, in 1596, he was turned
out of Fulham Palace and his father's private house in Chelsea, with
its carpets and cushions and the special "stayre and dore made of
purpose ... in a bay window" for the entrance of Queen Elizabeth when
she might deign, or did deign, to visit her unruly prelate,--what the
lad of seventeen did for a living before we find him, about 1606 or
1607, in the ranks of the dramatists, we have no means of knowing.
Perhaps the remaining years of his boyhood were spent with his uncle,
Giles, and his young cousins, the coming poets, or with the aunt whom
his father called "sister Pownell." The stepmother of eighteen months'
duration is not likely with her luxurious tastes and questionable
character to have tarried long in charge of the eight "poore and
fatherless children." She had children of her own by her previous
marriage, in whom to seek consolation, Grisogone and Cicely Baker,
then in their twenties, and devoted to her.[44] And with one or both
we may surmise that she resumed her life in Kent, or with the heir of
sleepy Sissinghurst, making the most of her carpets and cushions and
such of her "thirds" as she could recover, until--for she was but
forty-seven--she might find more congenial comfort in a third
marriage. Her permanent consoler was a certain Sir Stephen Thornhurst
of Forde in the Isle of Thanet; and he, thirteen years after the death
of her second husband, buried her in state in Canterbury Cathedral,
1609.