Francis Beaumont: Dramatist: A Portrait, with Some Account of His Circle, Elizabethan and Jacobean,; And of His Association with John Fletcher
John Stuart Mill · en
_The Woman-Hater_ affords interesting glimpses of the author's
observation, sometimes perhaps experience, in town and country. "That I
might be turned loose," says one of his _dramatis personae_, "to try my
fortune amongst the whole fry in a college or an inn of court!" And
another, a gay young buck,--"I must take some of the common courses of
our nobility, which is thus: If I can find no company that likes me,
pluck off my hat-band, throw an old cloak over my face and, as if I
would not be known, walk hastily through the streets till I be
discovered: 'There goes Count Such-a-one,' says one; 'There goes Count
Such-a-one,' says another; 'Look how fast he goes,' says a third;
'There's some great matters in hand, questionless,' says a fourth;--when
all my business is to have them say so. This hath been used. Or, if I
can find any company [acting at the theatre], I'll after dinner to the
stage to see a play; where, when I first enter, you shall have a murmur
in the house; every one that does not know, cries, 'What nobleman is
that?' All the gallants on the stage, rise, vail to me, kiss their hand,
offer me their places; then I pick out some one whom I please to grace
among the rest, take his seat, use it, throw my cloak over my face, and
laugh at him; the poor gentleman imagines himself most highly graced,
thinks all the auditors esteem him one of my bosom friends, and in right
special regard with me." And again, and this is much like first-hand
knowledge: "There is no poet acquainted with more shakings and quakings,
towards the latter end of his new play (when he's in that case that he
stands peeping betwixt the curtains, so fearfully that a bottle of ale
cannot be opened but he thinks somebody hisses), than I am at this
instant." And again,--of the political spies, who had persecuted more
than one of Beaumont's relatives and, according to tradition, trumped up
momentary trouble for our young dramatists themselves, a few years
later: "This fellow is a kind of informer, one that lives in ale-houses
and taverns; and because he perceives some worthy men in this land, with
much labour and great expense, to have discovered things dangerously
hanging over the state, he thinks to discover as much out of the talk of
drunkards in tap-houses. He brings me information, picked out of broken
words in men's common talk, which with his malicious misapplication he
hopes will seem dangerous; he doth, besides, bring me the names of all
the young gentlemen in the city that use ordinaries or taverns, talking
(to my thinking) only as the freedom of their youth teach them without
any further ends, for dangerous and seditious spirits." Much more in
this kind, of city ways known to Beaumont; and, also, something of
country ways, the table of the Leicestershire squire--the Beaumonts of
Coleorton and the Villierses of Brooksby,--and the hunting-breakfasts
with which Grace-Dieu was familiar. The hungry courtier of the play vows