When dangerously ill in 1827, he exclaimed, on being told that it was a fine night, "For my peace, God grant that it may be my last." The prayer was not heard, for, as he felt on his recovery, God had a great work for him to do. How that work was done we have just seen. Féli de Lamennais, who would have been buried as a Christian in 1827, was buried as an infidel in 1854. It is vain to contend that he was not a man of prayer. That he had a keen discernment in spiritual things is evident from his _Commentary on the Imitation_ and his other spiritual writings, as well as from the testimony of his young disciples at La Chênaie, to whom he was not merely a brilliant teacher, a most affectionate friend and father, but also a trusted guide in the things of God. Yet this would be little had we not also assurance of his personal and private devoutness. All this would make his unfortunate ending a stumbling-block to those who cannot acquiesce in the fact that in every soul tares and wheat in various proportions grow side by side, and that which growth is to be victorious is not possible to predict with certainty; who deem it impossible that one who ends ill could ever have lived well; or that one who loses his faith, or any other virtue, could ever at any time have really possessed it. There is indeed some kind of double personality in us all which is perhaps more observable in strongly-marked characters like De Lamennais, where, so to say, the bifurcating lines are produced further. Proud men have occasional moods of genuine humility; and habitual bitterness is allayed by intervals of sweetness; and conversely, there are ugly streaks in the fairest marble. And as to the fate of that restless soul, who shall dare to speak dogmatically? We cling gladly to the story of the tear that stole down his face in death, and would fain see in it some confirmation of the view according to which the soul receives in that crucial hour a final choice based on the collective experience of its mortal life. We would hope that as there is a baptism of blood or of charity, so there may perhaps be some uncovenanted absolution for one who so earnestly loved mankind at large, and especially the poor and the oppressed; who in his old age and misery was found by their sick-bed; who willed to be with them in his death and burial. And yet we feel something of that agonizing uncertainty which forced from the aged Abbe Jean the bitter cry, "Féli, Féli, my brother!" _Jan._ 1897. XVII. LIPPO, THE MAN AND THE ARTIST.