The Foot-prints of the Creator : $b or, The Asterolepis of Stromness
John Stuart Mill · en
Now, for certain purposes of generalization, I doubt not that the
conception may have its value. There are in all nature and in all
philosophy certain central ideas of general bearing, round which, at
distances less or more remote, the subordinate and particular ideas
arrange themselves,
“Cycle and epicycle, orb in orb.”
In the classifications of the naturalist, for instance, all _species_
range round some central _generic_ idea; all genera round some central
idea, to which we give the name of _order_; all orders round some central
idea of _class_; all classes round some central idea of _division_;
and all divisions round the interior central idea which constitutes
a _kingdom_. Sir Joshua Reynolds forms his theory of beauty on this
principle of central ideas. “Every species of the animal, as well as
of the vegetable creation,” he remarks, “may be said to have a fixed
or determinate form, towards which nature is continually inclining,
like various lines terminating in a centre; or it may be compared to
pendulums vibrating in different directions over one central point,
which they all cross, though only one of their number passes through
any other point.” He instances, in illustrating his theory, the Grecian
_beau ideal_ of the human nose, as seen in the statues of the Greek
deities. It formed a straight line; whereas all deformity of nose is of
a convex or concave character, and occasioned by either a rising above
or a sinking below this medial line of beauty. And it may be of use, as
it is unquestionably of interest, to conceive, after this manner, of a
certain type of skeleton, embodying, as it were, the central or primary
type of all vertebral skeletons, and consisting of a double range of
rings, united by the bodies of the vertebræ, as the two rings of a
figure 8 are united at their point of junction; the upper ring forming
the enclosure of the brain,—spinal, and cephalic; the lower that of
the viscera,—respiratory, circulatory, and digestive. Such is the idea
embodied in Professor Owen’s archetypal skeleton. It is a series of
vertebræ composing double rings,—their _brain_-rings comparatively small
in the vertebræ of the trunk, but of much greater size in the vertebræ
of the head. But it must not be forgotten, that central ideas, however
necessary to the classification of the naturalist, are not historic
facts. We may safely hold, with the philosophic painter, that the outline
of the typical human nose is a straight line; but it would be very
unsafe to hold, as a consequence, that the first men had all straight
noses. And when we find it urged by at least one eminent assertor of the
development hypothesis,—Professor Oken,—that light was the main agent in
developing the substance of nerve,—that the nerves, ranged in pairs, in
turn developed the vertebræ, each vertebra being but “the periphery or
envelope of a pair of nerves,”—and that the nerves of those four senses