The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs
John Stuart Mill · en
“In the chimneys of the disused rooms, swallows had built their
nests for many a long year, and from earliest spring to latest
autumn whole colonies of sparrows chirped and twittered in the
eaves. There were more pigeons about the dreary stable-yard and
outbuildings than anybody but the landlord could reckon up. The
wheeling and circling flights of runts, fantails, tumblers, and
pouters, were perhaps not quite consistent with the grave and sober
character of the building, but the monotonous cooing, which never
ceased to be raised by some among them all day long, suited it
exactly, and seemed to lull it to rest. With its overhanging
storys, drowsy little panes of glass, and front bulging out and
projecting over the pathway, the old house looked as if it were
nodding in its sleep. Indeed it needed no very great stretch of
fancy to detect in it other resemblances to humanity. The bricks of
which it was built had originally been a deep dark red, but had
grown yellow and discoloured like an old man’s skin; the sturdy
timbers had decayed like teeth; and here and there the ivy, like a
warm garment to comfort it in its age, wrapped its green leaves
closely round the time-worn walls.
“It was a hale and hearty age, though, still; and in the summer or
autumn evenings, when the glow of the setting sun fell upon the oak
and chestnut trees of the adjacent forest, the old house, partaking
of its lustre, seemed their fit companion, and to have many good
years of life in him yet.”
The house indicated in the foregoing description still stands, much as
it was in the days of which Dickens wrote. It is, however, _not_ the
MAYPOLE at Chigwell. Dickens, to suit the purposes of his tale, made
free use of that license usually allowed to poets and writers of
fiction. His description, as above, gives a very fair idea of the fine
old hostelry known as the KING’S HEAD, situate opposite the church in
the village of Chigwell, where it has displayed the same sign since 1789
at least. It was in what has since been known as the “Chester Room” in
this house, that a portion, at least, of _Barnaby Rudge_ was penned. On
the sign-board swinging over the door, there is a large portrait of King
Charles I., painted some years ago by Miss Herring. At Chigwell Row,
about two miles distant, there _is_ a MAYPOLE INN, with a maypole still
before the door, and on the site which Dickens indicates; but the
foregoing description is (as has been said) that of the KING’S HEAD. The
present MAYPOLE is an inn of no special pretensions, and is not the same
house that displayed the sign at least as early as 1789. A writer in
_Notes and Queries_,[84] says that the following was formerly to be seen
on the sign:--
“My liquor’s good,
My measure’s just,
Excuse me, sirs,
I cannot trust.”
[Illustration: KING’S HEAD INN.
(_At Chigwell._)]