Human, All-Too-Human: A Book for Free Spirits, Part 2 — Nietzsche — John Shaqi
Human, All-Too-Human: A Book for Free Spirits, Part 2
Nietzsche · en
A VISION.—Hours of instruction and meditation for adults, even the most
mature, and such institutions visited without compulsion but in accordance
with the moral injunction of the whole community; the churches as the
meeting-places most worthy and rich in memories for the purpose; at the
same time daily festivals in honour of the reason that is attained and
attainable by man; a newer and fuller budding and blooming of the ideal of
the teacher, in which the clergyman, the artist and the physician, the man
of science and the sage are blended, and their individual virtues should
come to the fore as a collective virtue in their teaching itself, in their
discourses, in their method—this is my ever-recurring vision, of which I
firmly believe that it has raised a corner of the veil of the future.
181.
EDUCATION A DISTORTION.—The extraordinary haphazardness of the whole
system of education, which leads every adult to say nowadays that his sole
educator was chance, and the weathercock-nature of educational methods and
aims, may be explained as follows. The oldest and the newest
culture-powers, as in a turbulent mass-meeting, would rather be heard than
understood, and wish to prove at all costs by their outcries and
clamourings that they still exist or already exist. The poor teachers and
educators are first dazed by this senseless noise, then become silent and
finally apathetic, allowing anything to be done to them just as they in
their turn allow anything to be done to their pupils. They are not trained
themselves, so how are they to train others? They are themselves no
straight-growing, vigorous, succulent trees, and he who wishes to attach
himself to them must wind and bend himself and finally become distorted
and deformed as they.
182.
PHILOSOPHERS AND ARTISTS OF THE AGE.—Rhapsody and frigidity, burning
desires and waning of the heart’s glow—this wretched medley is to be found
in the picture of the highest European society of the present day. There
the artist thinks that he is achieving a great deal when through his art
he lights the torch of the heart as well as the torch of desire. The
philosopher has the same notion, when in the chilliness of his heart,
which he has in common with his age, he cools hot desires in himself and
his following by his world-denying judgments.
183.