the offer of scented unguents: but he recommends the drinking of wine, though moderately, and in small cups. The whole company are understood to be somewhat elevated with wine, but not one of them becomes intoxicated. Sokrates not only talks as much fun as the rest, but even sings, and speaks of learning to dance, jesting on his own corpulence.[49] Most part of the scene is broad farce, in the manner, though not with all the humour, of Aristophanes.[50] The number and variety of the persons present is considerable, greater than in most of the Aristophanic plays.[51] Kallias, Lykon, Autolykus, Sokrates, Antisthenes, Hermogenes, Nikeratus, Kritobulus, have each his own peculiarity: and a certain amount of vivacity and amusement arises from the way in which each of them is required, at the challenge of Sokrates, to declare on what it is that he most prides himself. Sokrates himself carries the burlesque farther than any of them; pretending to be equal in personal beauty to Kritobulus, and priding himself upon the function of a pander, which he professes to exercise. Antisthenes, however, is offended, when Sokrates fastens upon him a similar function: but the latter softens the meaning of the term so as to appease him. In general, each guest is made to take pride in something the direct reverse of that which really belongs to him; and to defend his thesis in a strain of humorous parody. Antisthenes, for example, boasts of his wealth. The Syracusan ballet-master is described as jealous of Sokrates, and as addressing to him some remarks of offensive rudeness; which Sokrates turns off, and even begins to sing, for the purpose of preventing confusion and ill-temper from spreading among the company:[52] while he at the same time gives prudent advice to the Syracusan about the exhibitions likely to be acceptable. [Footnote 48: Pontianus, one of the speakers in Athenæus (xi. 504), touches upon some points of this comparison, with a view of illustrating the real or supposed enmity between Plato and Xenophon; an enmity not in itself improbable, yet not sufficiently proved.