The Essays of Arthur Schopenhauer; Religion, a Dialogue, Etc.
Schopenhauer · en
Hence, in regard to reading, it is a very important thing to be able to
refrain. Skill in doing so consists in not taking into one's hands any
book merely because at the time it happens to be extensively read; such
as political or religious pamphlets, novels, poetry, and the like, which
make a noise, and may even attain to several editions in the first and
last year of their existence. Consider, rather, that the man who writes
for fools is always sure of a large audience; be careful to limit your
time for reading, and devote it exclusively to the works of those great
minds of all times and countries, who o'ertop the rest of humanity,
those whom the voice of fame points to as such. These alone really
educate and instruct. You can never read bad literature too little, nor
good literature too much. Bad books are intellectual poison; they
destroy the mind. Because people always read what is new instead of the
best of all ages, writers remain in the narrow circle of the ideas which
happen to prevail in their time; and so the period sinks deeper and
deeper into its own mire.
There are at all times two literatures in progress, running side by
side, but little known to each other; the one real, the other only
apparent. The former grows into permanent literature; it is pursued by
those who live _for_ science or poetry; its course is sober and quiet,
but extremely slow; and it produces in Europe scarcely a dozen works in
a century; these, however, are permanent. The other kind is pursued by
persons who live _on_ science or poetry; it goes at a gallop with much
noise and shouting of partisans; and every twelve-month puts a thousand
works on the market. But after a few years one asks, Where are they?
where is the glory which came so soon and made so much clamor? This kind
may be called fleeting, and the other, permanent literature.
In the history of politics, half a century is always a considerable
time; the matter which goes to form them is ever on the move; there is
always something going on. But in the history of literature there is
often a complete standstill for the same period; nothing has happened,
for clumsy attempts don't count. You are just where you were fifty years
previously.