The author does not pay any great compliment to Raleigh's memory here. There is no such tale in all Boccaccio. The nearest related incident forms the subject matter of Dineo's novel (the fourth) of the First day of the Decameron. OLD SR. NICHOLAS THROGMORTON The incident referred to appears to be Sir Nicholas Throgmorton's trial for complicity in the attempt to make Lady Jane Grey Queen of England, a charge of which he was acquitted. This so angered Queen Mary that she imprisoned him in the Tower, and fined the jurors from one to two thousand pounds each. Her action terrified succeeding juries, so that Sir Nicholas's brother was condemned on no stronger evidence than that which had failed to prevail before. While Sir Nicholas's defense may have been brilliant, it must be admitted that the evidence was weak. He was later released from the Tower, and under Elizabeth was one of a group of commissioners sent by that princess into Scotland, to foment trouble with Mary, Queen of Scots. When the attempt became known, Elizabeth repudiated the acts of her agents, but Sir Nicholas, having anticipated this possibility, had sufficient foresight to secure endorsement of his plan by the Council, and so outwitted Elizabeth, who was playing a two-faced role, and Cecil, one of the greatest statesmen who ever held the post of principal minister. Perhaps it was this incident to which the company referred, which might in part explain Elizabeth's rejoinder. However, he had been restored to confidence ere this, and had served as ambassador to France. “TO SAVE HIS DOTER'S MAIDENHEDDE” Elizabeth Throckmorton (or Throgmorton), daughter of Sir Nicholas, was one of Elizabeth's maids of honor. When it was learned that she had been debauched by Raleigh, Sir Walter was recalled from his command at sea by the Queen, and compelled to marry the girl. This was not “in that olde daie,” as the text has it, for it happened only eight years before the date of this purported “conversation,” when Elizabeth was sixty years old. PARTIAL BIBLIOGRAPHY The various printings of 1601 reveal how Mark Twain's 'Fireside Conversation' has become a part of the American printer's lore. But more important, its many printings indicate that it has become a popular bit of American folklore, particularly for men and women who have a feeling for Mark Twain. Apparently it appeals to the typographer, who devotes to it his worthy art, as well as to the job printer, who may pull a crudely printed proof. The gay procession of curious printings of 1601 is unique in the history of American printing.