"1812" : $b Napoleon I in RussiaVereshchagin, Vasilïĭ Vasilʹevich
History
"1812" : $b Napoleon I in Russia
Vereshchagin, Vasilïĭ Vasilʹevich
Napoleonic Wars, 1800-1815 -- Campaigns -- Russia; Russia -- History -- 1801-1917
The sky is overcast by heavy black clouds. Just outside the walls of
Jerusalem, on a small rock, are erected three crosses, all of the same
size, shape, and appearance. The figures of the crucified on the two
sides are of a vulgar type and of coarse build, while the central figure
is of a more refined form. His face is not seen; it is hidden by long
auburn hair that hangs over it; long hair indicates that the crucified
was a man who dedicated himself to God. The wounds on the hands and feet
of the three crucified men bleed profusely (it being a well-known fact
that physicians find it difficult to stop the flow of blood out of
outstretched palms and feet). In front of the crosses stand two priests
of high rank, and they seemingly argue about some matter, as if trying
to prove something to a Roman in military attire; possibly they refer to
the guilt of the man crucified on the middle cross, a guilt about which
the military man seems to retain some doubts. Around the rock soldiers
are forming a chain to restrain the crowd.
In the foreground of the painting are seen people of every description;
some on foot, some on horseback; others mounted on camels or on donkeys.
Those are country folks or nomads, who, returning home from market,
stopped on their way for a moment in order to witness the event of the
day—the execution of a man, the renown of whose deeds had reached even
their huts and tents—a man whose arrest caused almost an insurrection in
the city. Among others in the crowd can be noticed a few Hebrew
merchants with their characteristic head-gear (which was discarded at a
comparatively late date), and Pharisees with the letters of the Law
written on the coverings of their heads. One of the Pharisees is
discussing something with his neighbour concerning a woman who is seen
weeping bitterly, in the corner of the picture, presumably the mother of
one of the crucified men. Her face cannot be seen, but her sorrow must
be great indeed, and none of the women surrounding her seem likely to be
able to console her. Many a time, probably, had she tried to divert her
son from his chosen course, but all in vain, and now his time has come.
By the side of the heart-broken mother stands a handsome young woman
plunged into deep consternation at the sight of the executed man; the
tears run down her cheek, but she is not conscious of it, so thoroughly
absorbed is she by her terrible, unspeakable grief.
As soon as the authorities should retire and the crowd thin out, there
would be a chance for the mother, and those that surround her, to
approach the crosses; then they would find it possible to say their last
farewell....
* * * * *
Public-domain text, read in full here on John Shaqi.
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