"1812" : $b Napoleon I in RussiaVereshchagin, Vasilïĭ Vasilʹevich
History
"1812" : $b Napoleon I in Russia
Vereshchagin, Vasilïĭ Vasilʹevich
Napoleonic Wars, 1800-1815 -- Campaigns -- Russia; Russia -- History -- 1801-1917
Armed with the confidence of the public, art will adhere more closely to
society, will constitute itself its ally in the face of the serious
danger that threatens society now-a-days—that kind of society which we
all know, which we are all more or less prompted to love and to respect.
There is no gainsaying the fact that all the other questions of our time
are paling before the question of socialism that advances on us,
threateningly, like a tremendous thunder-cloud.
The masses that have been for centuries leading a life of expectancy
while hanging on the very borders of starvation, are willing to wait no
more. Their former hopes in the future are discarded; their appetites
are whetted, and they are clamouring for arrears, which means now the
division of all the riches, and so as to make the division more lasting,
they are claiming that talents and capacities should be levelled down to
one standard, all workers of progress and comfort alike drawing the same
pay. They are striving to reconstruct society on new foundations, and in
case of opposition to their aims, they threaten to apply the torch to
all the monuments pertaining to an order that, according to them, has
already outlived its usefulness; they threaten to blow up the public
buildings, the churches, the art galleries, libraries and museums—a
downright religion of despair!
* * * * *
-----
Footnote 2:
_Sunday Express_, Albany, July 22, 1888.
Footnote 3:
St. Matthew vi. 7.
------------------------------------------------------------------------
II
[Illustration: _A Russian Woman._]
My friend, the late General Skobeleff, once asked me, “How do you
understand the movement of the Socialists and the Anarchists?” He owned
that he himself did not understand at all what they aimed at. “What do
they want? What are they striving to attain?”
“First of all,” I answered, “those people object to wars between
nations; again, their appreciation of art is very limited, the art of
painting not excluded. Thus, if they ever come into power, you, with
your strategic combinations, and I, with my pictures, will both be
shelved immediately. Do you understand this?”
“Yes, I understand this,” rejoined Skobeleff, “and from this time forth
I am determined to fight them.”
There is no mistaking the fact that, as I have said before, society is
seriously threatened at the hands of a large mass of people counting
hundreds of millions. Those are the people, who, for generations, during
entire centuries, have been on the brink of starvation, poorly clad,
living in filthy and unhealthy quarters; paupers, and such people as
have scarcely any property, or no property at all. Well, who is to blame
for their poverty—are not they themselves to be blamed for it?
No, it would be unjust to lay all the blame at their door; it is more
likely that society at large is more to blame for their condition than
they are themselves.
Public-domain text, read in full here on John Shaqi.
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