"1812" : $b Napoleon I in RussiaVereshchagin, Vasilïĭ Vasilʹevich
History
"1812" : $b Napoleon I in Russia
Vereshchagin, Vasilïĭ Vasilʹevich
Napoleonic Wars, 1800-1815 -- Campaigns -- Russia; Russia -- History -- 1801-1917
The other defender of society, the priest, has been less ill-used than
the soldier, and consequently he is not so tired of his task; but, on
the hand, people begin to tire of him, less heed is paid to his words,
and there arises a doubt as to the truth of all that he preaches.
There was a time when it was possible to tell the people that there is
but one sun in the heavens, as there is but one God-appointed king in
the country. As stars of the first, second, third, and fourth magnitude
are grouping themselves around the sun, so the powerful, the rich, the
poor, and the miserable, surround the king on earth. And, as it all
appeared plausible, people used to believe that such arrangements were
as they ought to be. All was accepted, all went on smoothly: none of
such things can be advanced now-a-days, however; no one will be ready to
believe in them.
* * * * *
Clearly, things assume a serious aspect. Suppose the day comes when the
priests entirely lose their hold on the people, when the soldiers turn
their guns’ muzzles down—where will society look for bulwarks then? Is
it possible that it has no more reliable defence?
Certainly, it has such a defence, and it is nothing else than _talent_,
and its representatives, in science, literature, and art in all its
ramifications.
Art must and will defend society. Its influence is less apparent and
palpable, but it is very great; it might even be said that its influence
over the minds, the hearts, and the actions of people is enormous,
unsurpassed, unrivalled. Art must and will defend society with all the
more care and earnestness, because its devotees know that the
“regulators” are not disposed to give them the honourable, respectable
position they occupy now—for, according to them, a good pair of boots is
more useful than a good picture, a novel, or a statue. Those people
declare that talent is luxury, that talent is aristocratic, and that,
consequently, talent has to be brought down from its pedestal to the
common level—a principle to which we shall never submit.
Let us not deceive ourselves; there will arise new talents, which will
gradually adapt themselves to new conditions, if such will prevail, and
their works may perhaps gain from it; but we shall not agree to the
principle of general demolition and reconstruction, when this has no
other foundation but the well-known thesis—“Let us destroy everything
and clear the ground; as to the reconstruction—about that we shall see
later on.” We shall defend and advocate the improvement of the existing
order by means of peaceful and gradual measures.
* * * * *
It goes without saying that we demand that society, on its side, should
help us to fulfil our task; that it should trust us, give us all the
freedom necessary for the development and exertion of talent.
There is the rub!
Public-domain text, read in full here on John Shaqi.
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