1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition. — John Shaqi
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
And yet, the man who could visit Buttermere without a sense of the
sublimity and the beauty which encompass him on every side, must be
indeed dead to the higher enjoyments of life. Here, the mountains heave
like the billows of the land, telling of the storm that swept across the
earth before man was on it. Here, deep in their huge bowl of hills, lie
the grey-green waters of Crummock and of Buttermere, tinted with the
hues of the sloping fells around them, as if the mountain dyes had
trickled into their streams. Look which way you will, the view is
blocked up by giant cliffs. Far at the end stands a mighty mound of
rocks, umber with the shadows of the masses of cloud that seem to rest
upon its jagged tops, while the haze of the distance hangs about it like
a bloom. On the one side and in front of this rise the peaks of High
Craig, High Stile, and Red Pike, far up into the air, breaking the
clouds as they pass, and the white mists circling and wreathing round
their warted tops, save where the blue sky peeps brightly between them
and the sun behind streams between the peaks, gilding every craig. The
rays go slanting down towards the lake, leaving the steep mountain sides
bathed in a rich dark shadow—while the waters below, here dance in the
light, sparkling and shimmering, like scales of a fish, and there, swept
by the sudden gust, the spray of their tiny waves is borne along the
surface in a powdery shower. Here the steep sloping sides are
yellow-green with the stinted verdure, spotted red, like rust, with the
withered fern, or tufted over with the dark green furze. High up, the
bare, ash-grey rocks thrust themselves through the sides, like the bones
of the meagre Earth. The brown slopes of the more barren craigs are
scored and gashed across with black furrows, showing the course of dried
up torrents; while in another place, the mountain stream comes leaping
down from craig to craig, whitening the hill-side as with wreaths of
snow, and telling of the “tarn” which lies silent and dark above it,
deep buried in the bosom of the mountain. Beside this, climbs a Wood,
feathering the mountain sides, and yet so lost in the immensity that
every tree seems but a blade of fern. Then, as you turn round to gaze
upon the hills behind you, and bend your head far back to catch the
Moss’s highest craigs, you see blocks and blocks of stone tumbled one
over the other, in a disorder that fills and confounds the mind, with
trees jutting from their fissures, and twisting their bare roots under
the huge stones, like cords to lash them to their places; while the
mountain sheep, red with ruddle, stands perched on some overhanging
craig, nipping the scanty herbage. And here, as you look over the tops
of Hassness Wood, you see the blue smoke of the unseen cottage curling
lightly up into the air, and blending itself with the bloom of the
distant mountains. Then, as you journey on, you hear the mountain
streams, now trickling softly down the sides, now hoarsely rushing down
Public-domain text, read in full here on John Shaqi.
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