1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
In the village road, for street there is none, not a creature is to be
seen, save where a few brown or mottled “short-horns” straggle up from
the meadows,—now stopping to stare vacantly about them, now capering
purposeless with uplifted tails, or butting frolicsome at each other;
then marching to the brook, and standing knee-deep in the scurrying
waters, with their brown heads bent down to drink, and the rapid current
curling white around their legs, while others go leaping through the
stream, splashing the waters in transparent sheets about them. Not a
fowl is to be seen scratching at the soil, nor duck waddling pompously
toward the stream. Not even a stray dog crosses the roadway, unless it
be on the Sunday, and then every peasant or farmer who ascends the road
has his sharp-nosed, shaggy sheep-dog following at his heels, and vying
with his master in the enjoyment of their mutual holiday. Here, too,
ofttimes may be seen some aged dame, with large white cap, and bright
red kerchief pinned across her bosom, stooping to dip her pail into the
brook; while over the bridge, just showing above the coping-stone,
appears the grey-coated farmer, with drab hat, and mounted on his shaggy
brown pony, on his way to the neighbouring market. Here, too, the
visitor may sometimes see the farmers’ wives grouped outside one of the
homestead gates—watching their little lasses set forth on their
five-mile pilgrimage to school, their baskets filled with their week’s
provisions hanging on their arms, and the hoods of their blue-grey
cloaks dancing as they skip playfully along, thoughtless of the six
days’ absence, or mountain road before them. At other times, some
good-wife or ruddy servant girl, sallies briskly from the neighbouring
farm, and dodges across the road the truant pig that has dashed boldly
from the midden. Anon, climbing the mountain side, saunters some
low-built empty cart, with white horse, and grey-coated carter, now, as
it winds up the road, hidden by the church, now disappearing in the
circling of the path behind the slope, then seen high above the little
belfry, and hanging, as it were, by the hill side, as the carter pauses
to talk with the pedlar, who, half buried in his pack, descends the
mountain on his way to the village. Then, again ascending, goes the
cart, higher and higher, till it reach the highest platform, to vanish
behind the mountain altogether from the sight.
Such, reader, is a faint pen-and-ink sketch of a few of the charms and
rural graces of Buttermere. That many come to see, and but few to
appreciate them, the visitors’ book of the principal inn may be cited as
unquestionable evidence. Such a book in such a scene one would expect to
find filled with sentiments approximating to refinement, at least, if
not to poetry; but the mountains here seem more strongly to affect the
appetite of Southerners than their imaginations, as witness the
under-written, which are cited in all their bare and gross literality.
Public-domain text, read in full here on John Shaqi.
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