1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition. — John Shaqi
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
The peculiar feature of Mrs. Sandboys’ mind was to magnify the mildest
trifles into violent catastrophes. If a China shepherdess, or porcelain
Prince Albert, were broken, she took it almost as much to heart as if a
baby had been killed. Washing, to her, was almost a sacred ceremony, the
day being invariably accompanied with fasts. Her beds were white as the
opposite waters of “Sour Milk Gill;” and the brightness of the brass
hobs in the keeping-room at Hassness were brilliant tablets to record
her domestic virtues. She was perpetually waging war with cobwebs, and,
though naturally of a strong turn of mind, the only time she had been
known to faint was, when the only flea ever seen in Hassness House made
its appearance full in the front of Cursty Sandboys’ shirt, at his
dinner, for the celebration of a Sheep-Shearing Prize. If her husband
dreaded visiting London on account of its iniquities, she was deterred
by the Cumberland legend of its bugs—for, to her rural mind, the people
of the Great Metropolis seemed to be as much preyed upon by these
vermin, as the natives of India by the white ants—and it was a
conviction firmly implanted in her bosom, that if she once trusted
herself in a London four-post, there would be nothing left of her in the
morning but her nightcap.
The son and daughter of this hopeful pair were mere common-place
creatures. The boy, Jobby, as Joseph is familiarly called in Cumberland,
had just shot up into hobbledehoyhood, and was long and thin, as if
Nature had drawn him, like a telescope, out of his boots. Though almost
a man in stature, he was still a boy in tastes, and full of life and
activity—ever, to his mother’s horror, tearing his clothes in climbing
the craigs for starlings and magpies, or ransacking the hedges for
“spinks” and “skopps;” or else he terrified her by remaining out on the
lake long past dusk, in a boat, or delighting to go up into the fells
after the sheep, when overblown by the winter’s snow. His mother
declared, after the ancient maternal fashion, that it was impossible to
keep that boy clean, and however he wore out his clothes and shoes was
more than she could tell. The pockets of the youth—of which she
occasionally insisted on seeing the contents—will best show his
character to the discerning reader; these usually proved to comprise
gentles, oat-cake, a leather sucker, percussion caps, a short pipe,
(for, truth to say, the youth was studying this great art of modern
manhood), a few remaining blaeberries, a Jew’s-harp, a lump of cobbler’s
wax, a small coil of shining gut, with fish-hooks at the end, a charge
or two of shot, the Cumberland Songster, a many-bladed knife with
cork-screw, horsepicker, and saw at the back, together with a small mass
of paste, swarming with thin red worms, tied up in one of his sister’s
best cambric pocket-handkerchiefs.
Public-domain text, read in full here on John Shaqi.
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