1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
The Count and M. Adolphe had just finished “posing” Miss Chutney in the
same attitude as the model, and had retired a few paces back to admire
her, as she stood with her hands crossed on her bosom, and her head bent
down, as if at her devotions, and were congratulating one another on the
perfect resemblance the young lady bore to the “lay” sister, when the
head of the schoolmistress was discovered peeping round the door.
Miss Chutney no sooner heard the voice of Miss Wewitz, than she felt all
the rigidity she had been throwing into her limbs suddenly leave her,
and her legs become as limp and bendy as sugar-sticks in hot weather;
and it was merely the conviction that they would all be ruined if she
moved a joint, that sustained her in her statuesque position.
The Count ran to the door, and bowing in the face of the schoolmistress,
so as to obstruct her view, thanked her for her polite information, and
excused himself for shutting her out, by saying that some of his friends
were not yet dressed.
Immediately the schoolmistress had left, Miss Chutney, who began to feel
in no way equal to the task she had undertaken, entreated of the Count
to allow her to return to the linen-room. But this, of course, was a
proposition that the Frenchman, now that he had obtained possession of
the girl, felt in no way inclined to listen to; so, by dint of
compliments on her charming appearance in her new character, and
protestations of the most fervent devotion, and assurances of the
unceasing happiness that awaited her in Paris, he at length succeeded in
calming the young lady’s perturbation.
Miss Chutney, however, had not much time to think over the consequences
of the step she was about to take, for scarcely had the Count finished
his exhortation and eulogium, when the servant announced that the cab
was at the door, and the men were ready to carry down the luggage.
It was then arranged that Adolphe should escort the rest of the
Frenchmen out of the house as soon as possible, so that the girl might
not be flurried by the presence of so many. And as soon as this part of
the operations had been executed, the Count, who had remained
continually by the side of the wavering girl, exhorting her to have
“courage” but for a few moments longer, quitted her for a few minutes,
in order to come to a settlement with Miss Wewitz.
He had scarcely left the room when the cabman and his companion, in
obedience to the instructions of M. Adolphe Sheek, stepped up from the
hall to remove the lay figure, with the greatest possible care, to the
cab.
On entering the apartment, the men were mightily taken with the figure
of the Sister of Charity, and declared to one another that if they
hadn’t been given to understand it was an artist’s model, they should
have taken it for a living woman.
Public-domain text, read in full here on John Shaqi.
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