1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
For some little time they amused themselves by merely contemplating the
model, and wondering what character it could be intended to represent.
The sombreness and peculiarity of the costume seemed to take their fancy
vastly. In a few minutes, as the novelty of the impression began to wear
away, they commenced handling the rosary, lifting up the white apron,
and, ultimately, the black crape veil.
This was a severe trial for the nerves of Miss Chutney; but with her
teeth firmly set, and holding her breath, she remained with her eyes
upturned, and with every feature and limb as rigid as if they were
petrified.
The men grew more pleased than ever with the life-like appearance of the
figure, and could not keep from laughing at the apparent intensity of
the model’s devotion. Presently, the cab-driver drew the short clay pipe
from under the band of his hat, and saying to his companion, “I say,
Jem, here’s a lark!” thrust the end of it into the corner of poor Miss
Chutney’s mouth.
The girl, though ready to shriek with horror and faint with disgust,
still, by a violent effort, held the “dodeen” between her lips. The
Count, she said to herself, would be sure to return directly, and then
she would be free from all further insult and persecution.
The friend of the cab-driver, determined not to be outdone by his
companion, and discovering on the hob a lump of the charcoal that the
Frenchmen had used to heat their bachelor’s kettle, seized it, and,
approaching the alarmed Miss Chutney, began tracing on her upper lip a
huge pair of black mustachios.
This drollery tickled the driver of the cab to such a degree, that,
spurred on by the comical appearance of the “model,” he ran to the
grate, and having provided himself with another piece of the dingy
material, began, in his turn, to adorn the lady’s cheeks with an equally
enormous pair of whiskers.
The wretched Miss Chutney felt every minute that she _must_ give way
under the accumulated insults she was enduring, and had it not been for
her reliance on the Count’s immediate return, she would have startled
her tormentors by taking to her heels; but every minute she consoled and
sustained herself with the assurance, that the next moment would bring
her protector to her relief. “Oh!” she thought to herself, as she felt
the cabman charcoaling her eyebrows, “if I had only known half I should
have to go through, I’m sure I should never have dreamt of making such a
silly of myself.”
The embellishment of the “model’s” countenance being finished, the
cabman and his “buck” retired a few paces to examine the effect of their
handiwork, and burst into a suppressed fit of laughter at the extreme
incongruity of the lady’s appearance—and certainly the extraordinary
hirsute character of Miss Chutney’s countenance at that moment,
embellished, as it was, with the most extravagant hairy appendages, was
sufficient to burst the waistcoat-strings of any gentleman gifted with
the slightest sense of the ridiculous.
Public-domain text, read in full here on John Shaqi.
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