1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition. — John Shaqi
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
Sandboys was little prepared for this confession of hostilities on the
part of his beloved Aggy. He had never known her address him in such a
tone since the day she swore at Lorton to honour and obey him. He jumped
from his chair and began to pace the room—now wondering what had come to
his family and servants, now lamenting the want of tea, now sympathizing
with the absence of ale, now biting his thumb as he contemplated the
approximating dilemma of a dinnerless Sunday, and now inwardly cursing
the Great Exhibition, which had not only taken all his neighbours from
him, and deprived him of almost all the necessaries of life, but seemed
destined to estrange his wife and children!
For a moment the idea passed across his mind, that perhaps it might be
better to give way; but he cast the thought from him immediately, and as
he trod the room with redoubled quickness and firmness of step, he
buttoned his grey coat energetically across his breast, swelling with a
resolution to make a desperate effort. He would drive the pig himself
over to John Banks, the pig-butcher’s, at Lorton! But, as in the case of
Postlethwaite, Mr. Cursty Sandboys soon found that resolving to drive a
pig was a far different thing from doing it. Even in a level country the
pig-driving art is none of the most facile acquirements,—but where the
way to be traversed consists at every other yard of either a fell, a
craig, a gill, a morass, a comb, a pike, a knot, a rigg, a skar, a beck,
a howe, a force, a syke, or a tarn, or some other variety of those
comfortable quarters into which a pig, with his peculiar perversity,
would take especial delight in introducing his _compagnon de voyage_—the
accomplishment of pig-driving in Cumberland partakes of the character of
what aesthetic critics love to term “High Art.”
Nor did Mr. Sandboys’ pig—in spite of the benevolence and “sops”
administered during his education by the gentle Elcy, who shed tears at
his departure—at all detract from the glories of his race. Contrary to
the earnest advice of Postlethwaite, founded on the experience of ages,
who exhorted his master to keep the string loose in his hand—Sandboys,
who had a theory of his own about pig-driving, and who was afraid that
if the animal once got away from him in the hills, he would carry with
him the family’s only chance of fresh meat for weeks to come—made up his
mind to keep a safe hold of him, and so, twisted the string which he had
attached to the porker’s leg two or three turns round his own wrist.
Public-domain text, read in full here on John Shaqi.
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