1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
He who has passed all his life amid the chaffering of Cheapside, or the
ceaseless toil of Bethnal Green, or the luxurious ease of Belgravia,—who
has seen no mountain higher than Saffron Hill,—has stood beside no
waters purer than the Thames—whose eye has rested upon no spot more
green than the enclosure of Leicester Square,—who knows no people more
primitive than the quaker corn-factors of Mark Lane, and nothing more
truthful than the “impartial inquiries” of the _Morning Chronicle_, or
more kind-hearted than the writings of the _Economist_,—who has drunk of
no philosophy deeper than that of the _Penny Cyclopædia_,—who has felt
no quietude other than that of the City on a Sunday,—sighed for no home
but that which he can reach for “threepence all the way,” and wished for
no last resting-place but a dry vault and a stucco cenotaph in the
theatrical Golgothas of Kensal and of Highgate;—such a man can form no
image of the peace, the simplicity, the truth, and the beauty which
aggregate into the perpetual Sabbath that hallows the seclusion about
and around the Lake of Buttermere.
Here the knock of the dun never startles the hermit or the student—for
(thrice blessed spot!) there are no knockers. Here are no bills, to make
one dread the coming of the spring, or the summer, or the Christmas, or
whatever other “festive” season they may fall due upon, for (oh earthly
paradise!) there are no tradesmen, and—better still—no discounters,
and—greater boon than all—no! not one attorney within nine statute miles
of mountain, fell, and morass, to ruffle the serenity of the village
inn. Here that sure-revolving tax-gatherer—as inevitable and cruel as
the Fate in a Grecian tragedy—never comes, with long book and short
inkhorn, to convince us it is Lady-day—nor “Paving,” nor “Lighting,” nor
“Water,” “Sewers,” nor “Poors,” nor “Parochials,” nor “Church,” nor
“County,” nor “Queen’s,” nor any other accursed accompaniment of our
boasted civilization. Here are no dinner-parties for the publication of
plate; no _soirées_ for the exhibition of great acquaintances; no
_conversaziones_ for the display of your wisdom, with the full right of
boring your friends with your pet theories; nor polkas, nor
schottisches, nor Cellarii, for inflaming young heirs into matrimony.
Here there are no newspapers at breakfast to stir up your early bile
with a grievance, or to render the merchant’s morning meal indigestible
with the list of bankrupts, or startle the fundholder with a sense that
all security for property is at an end. Here there are no easy-chair
philosophers,—not particularly illustrious themselves for a delight in
hard labour,—to teach us to “sweep all who will not work into the
dust-bin.” Here, too, there are no Harmonic Coalholes, or Cyder Cellars,
nor Choreographic Casinos, or Cremornes, or other such night colleges
for youth, where ethics are taught from professional chairs occupied by
“rapid” publicans, or by superannuated melodists, with songs as old as
Public-domain text, read in full here on John Shaqi.
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