1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
Only one family—Buttermere born—had been known to emigrate, and they
had been led off, like the farmers who had immigrated, by the lure
of more fertile or more profitable tenancies. Three, however, had
become extinct; but two in name only, having been absorbed by
marriage of their heiresses, while the other one—the most celebrated
of all—was utterly lost, except in tradition, to the place. This was
the family of Mary Robinson, the innkeeper’s daughter, and the
renowned Beauty of Buttermere, known as the lovely, simple-hearted
peasant girl, trapped by the dashing forger into marriage, widowed
by the hangman, amidst a nation’s tears, and yet—must we write
it—not dying broken-hearted,—but—alas, for the romance and constancy
of the sex!—remarried ere long to a comfortable farmer, and ending
her days the stout well-to-do mother of seven bouncing boys and
girls.
Mr. Thornton, the eminent populationist, has convinced every thinking
mind, that, in order that the increase of the people may be duly
regulated, every husband and wife throughout the country should have
only one child _and a quarter_. In Buttermere, alas! (we almost weep as
we announce the much-to-be-regretted fact) there are seventeen parents
and twenty-nine children, which is at the frightful rate of one child
and _three-quarters and a fraction_, to each husband and wife!
Within the last ten years, too, Buttermere has seen, unappalled, three
marriages and nine births. The marriages were all with maids of the inn,
where the memory of Mary Robinson still sheds a traditionary grace over
each new chambermaid, and village swains, bewitched by the association,
come annually to provide themselves with “Beauties.”
The deaths of Buttermere tell each their peculiar story. Of the seven
who have passed away since the year 1840, one was an old man who had
seen the snow for eighty winters lie upon Red Pike; another was little
Mary Clarke, who for eight years only had frolicked in the sunshine of
the happy valley. Two were brothers, working at the slate-quarries high
up on Honister Craig: one had fallen from a ladder down the precipice
side—the other, a tall and stalwart man, had, in the presence of his two
boys, been carried up bodily into the air by a whirlwind, and dashed to
death on the craigs below. Of the rest, one died of typhus fever, and
another, stricken by the same disease, was brought, at his special
request, from a distance of twenty-one miles, to end his days in his
mountain home. The last, a young girl of twenty, perished by her own
hand—the romance of village life! Mary Lightfoot, wooed by her young
master, the farmer’s son, of Gatesgarth, sat till morning awaiting his
return from Keswick, whither he had gone to court another. Through the
long, lone night, the misgivings of her heart had grown by daylight into
certainty. The false youth came back with other kisses on his lip, and
angry words for her. Life lost its charms for Mary, and she could see no
peace but in the grave.[1]
Public-domain text, read in full here on John Shaqi.
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