The woman had a lot of facial hair--an unmistakable mustache, in fact. A
curious thing about gas-chamber hostesses was that, no matter how lovely
and feminine they were when recruited, they all sprouted mustaches
within five years or so.
"Is this where I'm supposed to come?" she said to the painter.
"A lot would depend on what your business was," he said. "You aren't
about to have a baby, are you?"
"They told me I was supposed to pose for some picture," she said. "My
name's Leora Duncan." She waited.
"And you dunk people," he said.
"What?" she said.
"Skip it," he said.
"That sure is a beautiful picture," she said. "Looks just like heaven or
something."
"Or something," said the painter. He took a list of names from his smock
pocket. "Duncan, Duncan, Duncan," he said, scanning the list. "Yes--here
you are. You're entitled to be immortalized. See any faceless body here
you'd like me to stick your head on? We've got a few choice ones left."
She studied the mural bleakly. "Gee," she said, "they're all the same to
me. I don't know anything about art."
"A body's a body, eh?" he said. "All righty. As a master of fine art, I
recommend this body here." He indicated a faceless figure of a woman who
was carrying dried stalks to a trash-burner.
"Well," said Leora Duncan, "that's more the disposal people, isn't it? I
mean, I'm in service. I don't do any disposing."
The painter clapped his hands in mock delight. "You say you don't know
anything about art, and then you prove in the next breath that you know
more about it than I do! Of course the sheave-carrier is wrong for a
hostess! A snipper, a pruner--that's more your line." He pointed to a
figure in purple who was sawing a dead branch from an apple tree. "How
about her?" he said. "You like her at all?"
"Gosh--" she said, and she blushed and became humble--"that--that puts
me right next to Dr. Hitz."
"That upsets you?" he said.
"Good gravy, no!" she said. "It's--it's just such an honor."
"Ah, You... you admire him, eh?" he said.
"Who doesn't admire him?" she said, worshiping the portrait of Hitz. It
was the portrait of a tanned, white-haired, omnipotent Zeus, two hundred
and forty years old. "Who doesn't admire him?" she said again. "He was
responsible for setting up the very first gas chamber in Chicago."
"Nothing would please me more," said the painter, "than to put you next
to him for all time. Sawing off a limb--that strikes you as
appropriate?"
"That is kind of like what I do," she said. She was demure about what
she did. What she did was make people comfortable while she killed them.
* * * * *
And, while Leora Duncan was posing for her portrait, into the
waitingroom bounded Dr. Hitz himself. He was seven feet tall, and he
boomed with importance, accomplishments, and the joy of living.
"Well, Miss Duncan! Miss Duncan!" he said, and he made a joke. "What
are you doing here?" he said. "This isn't where the people leave. This
is where they come in!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account