A-B-C of motion picturesWelsh, Robert E. (Robert Emmet)
History
A-B-C of motion pictures
Welsh, Robert E. (Robert Emmet)
Motion pictures
Black Jack giving another order: “Give No. 5 order to meet No. 2 at Big
Bend instead of Napavin.” Carson turns quickly on Black Jack in defiant
manner. Registers, “For God’s sake, man, do you know that means a human
slaughter?” Black Jack laughs mercilessly. Carson, strongly protesting,
finally refuses. Black Jack leaps closer. “Send it, or I’ll bore you
through and send it myself.” Carson realizes Black Jack is master of
situation any way he decides. Slowly he comes to a decision, finally he
reaches forward to key. Expression of Black Jack’s face shows what he
is sending. Black Jack nods approval.
Scene 35.
_Down railroad track, as in 27._
Train No. 5 coming nearer.
Scene 36. _Despatch-office, as in 8._
Black Jack becoming sociable. Carson silent, as if under spell.
Scene 37.
_Close-up of Western Union sounder working._
Scene 38. _Despatch-office, as in 8._
Carson’s interest centers on Western Union receiver, ignoring Black
Jack’s presence. Writes--
FLASH--close view of pad as he writes:
_From Bradford, N. H._
_Bob Carson, Castle Rock, Colo._
_Mary’s dying wish was to have you know that all her love and last
words were for you, and that she hoped to meet you across the great
divide.--Mrs. A. L. Carter._
Remorse creeps over Carson; shows weakness and thoughtfulness;
gradually takes on strength and purpose. Offers a little prayer; his
hand shoots forward to key. Black Jack up on his feet.
Scene 39.
_Close-up of two men over desk._
Black Jack registers, “Get away from that key.” Carson, working like
mad, every muscle tense. Carson registers, “There’ll be no wreck
to-night.” Sending message.
FLASH--message: _Hold No_--
Black Jack steps back, fires. Carson grasps breast, rises, slumps back
into chair, falls forward on table. Black Jack studies him.
Scene 40.
_Interior of section-house, with bunks._
Superintendent and other telegrapher hear shot, pile out of bunks.
Scene 41. _Despatch-office, as in 8._
Black Jack, walking over to Carson, places revolver in hand, saying,
“Remember, you committed suicide.” Bravado business; turns away,
laughing. Carson weakly rolls over. Looks at revolver in hand in dazed
manner; sees Black Jack, takes feeble aim, fires. Black Jack lunges
forward, dead.
Scene 42.
_Exterior of station, as in 18._
Telegrapher and superintendent rushing up track, partly dressed. Bird
fires. Fire returned, Bird topples over.
Scene 43. _Despatch-office, as in 8._
Carson, apparently dead, moves as if awakening from deep slumber,
feebly arises to half-sitting and half-lying position. Wearing a queer
little tired smile, feebly gropes as if in dark for the key, sends
message.
SUBTITLE: “PUT 5 INTO CLEAR FOR 2--QUICK.”
Door bursts open, superintendent and telegrapher rush in. All suddenly
tense.
Scene 44.
_Close-up view of sounder working, as in 37._
Scene 45. _Despatch-office, as in 8._
Superintendent takes pad, begins to write.
Public-domain text, read in full here on John Shaqi.
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