A-B-C of motion picturesWelsh, Robert E. (Robert Emmet)
History
A-B-C of motion pictures
Welsh, Robert E. (Robert Emmet)
Motion pictures
Two light-tight boxes are contained in the camera, one at the top to
hold the raw film, and the lower one to receive the film after it has
been exposed. Perforations have been made along the edges of the film
before it is placed in the camera, the holes being oblong in shape,
one-eighth of an inch wide and one-sixteenth of an inch in height.
The film-feeding device, which is either of the sprocket-wheel type,
which drives the film through, or the claw-hammer type, which pulls it,
engages in these holes. The perforations serve a similar purpose in
the camera, the projection-machine, and in the process of developing
the negative and printing the positives. It will be seen that the
perforating, which is done by machinery, must be accurate to the
one-hundredth of an inch.
The working of the projection-machine, the apparatus which throws the
image on the film onto the screen, is in many ways similar to that
of the camera. Or, a simpler comparison, the projection-machine is
really the familiar stereopticon, or magic lantern, with the addition
of mechanism for feeding the film rapidly before the light and the
lenses. In the first place, there is a “lamp-house,” a small cabinet
which contains the light, supplied by means of an arc-light, and the
condensing lens. The light created by the carbons of the arc, while
strong, is diffused in the lamp-house, and it is the purpose of the
condensing lenses to concentrate the rays before throwing them on the
screen. The pictures are outlined on the screen because of the fact
that the figures on the film obstruct light in proportion to their
density.
From the lamp-house and the condensing lenses we naturally pass to
consideration of the film, and the devices by which it is fed before
the rays of light with such accuracy that the picture is always in
place on the screen, and with such rapidity and uniformity of speed
that the spectator is not aware of the fact that he is really looking
at sixteen separate pictures each second. The principle of the
operation is similar to that used in the camera. The film passes from a
fire-proof magazine above, being pulled out by a sprocket-wheel that
engages in the perforations. After passing from these sprockets there
is a brief respite for the film, a loop being provided to relieve it so
that the pull will not be too great when passing through the film-gate
which holds the image in place before the rays of the condenser. It is
necessary that the gate hold the film perfectly taut and in alignment,
for it can be seen that the slightest fractional deviation would appear
great when the image is magnified by the objective lenses onto the
screen.
Public-domain text, read in full here on John Shaqi.
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