The fundamental thought of the Humanistic Period was expressed by Bruno in his imaginative conception of the divine beauty of the living All. Poet as well as philosopher, he was consumed by a love for nature as a beautiful religious object. He revolted from all asceticism and scholasticism. The “new world” in which he found himself was to him the emblem of God. The thought of that chief of neo-Platonists, Plotinus, of the beauty of the universe had never been so sympathetically regarded as by the Renaissance; in the hands of Bruno this beauty became the manifestation of the divine Idea. Philosophy, æsthetics, and religion were identical to him. To express his thought he employed the usual neo-Platonic symbol of the all-forming and all-animating light. Bruno was no patient student of natural phenomena as such, but a lover of the great illumination of nature facts by the great soul behind them. He was not interested in any single group of phenomena, as was Paracelsus; but he loved them all as a religion. Not only externally but internally is the universe an eternal harmony. When one gazes upon it with the enthusiasm of a poet, its apparent defects will vanish in the harmony of the whole. Man needs no special theology, for the world is perfect because it is the life of God. Bruno is a universalistic optimist and a mystic poet. Before this cosmic harmony man should never utter complaint, but should bow in reverence. True science is religion and morality. Since Bruno conceived no theodicy (proof of the goodness and justice of God) to be necessary, he did not define in exact terms his conception of God. Nevertheless, to escape the charge of atheism, he distinguished between the universe and the world. For him God = the universe = nature = matter = the principle immanent in the world. The “world,” on the other hand, = the sum-total of nature phenomena. The “world” is the body of God, and God is the soul of the “world.” God is _natura naturans_; the world is _natura naturata_[4]. Just as the sum of the parts of man’s body does not equal the man himself, so to identify God with the totality of objects of nature is atheism in the true sense. It is to make God a finite being, although very big. In opposition to this, Bruno conceives God as the one substance manifesting himself through all things. This is to magnify God and to make him really omnipresent.