A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada SterlingClay-Clopton, Virginia
History
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling
Clay-Clopton, Virginia
Clay-Clopton, Virginia, 1825-1915; Confederate States of America -- Social life and customs; Southern States -- Social life and customs -- 1775-1865; United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate; Washington (D.C.) -- Social life and customs -- 19th century
It was during this bucolic period of my life that the stars fell. I did
not witness these celestial phenomena, being sound asleep as a child
should be; but, for years afterward, time was marked from that great
event. I remember perfectly my aunt’s description of it. People ran from
their houses weeping and falling on their knees, praying for mercy and
forgiveness. Everywhere the terrifying belief spread that the Day of
Judgment was at hand; and nights were made vocal with the exhortations
of the black preachers who now became numerous upon the plantation. To
very recent days old Negroes have dated their calendar from “de year
when de stars fell.”
Ah, me! how long ago that time of childhood’s terrors and delights in
that young open country! Of all my early playmates, but one, my cousin
William Battle, remains, a twin relic of antiquity! From the first we
were cronies; yet we had a memorable disagreement upon one occasion
which caused a slight breach between us. We were both intensely fond of
my aunt’s piano, but my cousin was compelled to satisfy his affection
for music in secret; for Uncle Battle, who heartily encouraged my
efforts, was positive in his disapproval of those of my cousin. He
thought piano-playing in a man to be little short of a crime, and was
quite resolved his son should not be guilty of it. My cousin and I,
therefore, connived to arrange our practice in such a way as would allow
him to finish his practice at the instrument before my uncle’s return
from the day’s duties.
Upon the fatal occasion of our disagreement, however, I refused, upon my
cousin’s appearance, to yield my seat, whereupon, losing his temper, he
gave me a tap on the cheek. In a moment the struggle was on! Our tussle
was at its height, I on top and pummelling with all my might, when, the
door opening suddenly, a startled cousin appeared.
“La!” she exclaimed in terror, “Cousin Will and Virginia are fighting!”
“No, we’re not!” I replied stoutly. “We’re just playing;” and I retired
with tufts of reddish hair in both hands, but leaving redder spots on
the face of my cousinly antagonist. He, thoroughly satisfied to be
released, no longer desired to play the piano, nor _with me_. His head
has long been innocent of hair, an hereditary development, but he has
always asserted that his baldness is attributable to “My cousin, Mrs.
Clay, who, in our youthful gambols, scalped me.”
Public-domain text, read in full here on John Shaqi.
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