A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada SterlingClay-Clopton, Virginia
History
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling
Clay-Clopton, Virginia
Clay-Clopton, Virginia, 1825-1915; Confederate States of America -- Social life and customs; Southern States -- Social life and customs -- 1775-1865; United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate; Washington (D.C.) -- Social life and customs -- 19th century
In Tuscaloosa there resided, besides my Aunt Collier, few of my father’s
and mother’s kin, and by a natural affinity I fell under the
guardianship of my father’s brother, Thomas B. Tunstall, Secretary of
State of Alabama. He was a bachelor; but all that I lacked in my
separation from my father my uncle supplied, feeding the finer sides of
my nature, and inspiring in me a love of things literary even at an age
when I had scarce handled a book. My uncle’s influence began with my
earliest days in Alabama. My aunt, Mrs. Collier, was delicate, Mrs.
Battle domestic; Uncle Battle was a famous business man; and Uncle
Collier was immersed in law and increasing political interests; but my
memory crowds with pictures of my Uncle Tom, walking slowly up and down,
playing his violin, and interspersing his numbers with some wise counsel
to the child beside him. He taught me orally of poetry, and music, of
letters and philosophy, and of the great world’s great interests. He
early instilled in me a pride of family, while reading to me Scott’s
fine tribute to Brian Tunstall, “the stainless knight,” or, as he
rehearsed stories of Sir Cuthbert Tunstall, Knight of the Garter, and
Bishop of London in the time of gentle Queen Anne; and it was in good
Uncle Tom’s and my father’s company that the fascinations of the drama
were first revealed to me.
While I was yet a schoolgirl, and so green that, had I not been
protected by these two loving guardians, I would have been eaten up by
the cows on the Mobile meadows, I was taken to see “The Gamester,” in
which Charles Kean and Ellen Tree were playing. It was a remarkable and
ever-remembered experience. As the play proceeded, I became so absorbed
in the story, so real and so thrillingly portrayed, that from silent
weeping I took to sniffling and from sniffling to ill-repressed sobbing.
I leaned forward in my seat tensely, keeping my eyes upon the stage, and
equally oblivious of my father and uncle and the strangers who were
gazing at me on every side. Now and then, as I sopped the briny outflow
of my grief, realising in some mechanical manner that my handkerchief
was wet, I would take it by two corners and wave it back and forth in an
effort to dry it; but all the while the tears gushed from my eyes in
rivulets. My guardians saw little of the play that night, for the
amusement I afforded these experienced theatre-goers altogether exceeded
in interest the mimic tragedy that so enthralled me.
Public-domain text, read in full here on John Shaqi.
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