A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling — John Shaqi
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada SterlingClay-Clopton, Virginia
History
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling
Clay-Clopton, Virginia
Clay-Clopton, Virginia, 1825-1915; Confederate States of America -- Social life and customs; Southern States -- Social life and customs -- 1775-1865; United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate; Washington (D.C.) -- Social life and customs -- 19th century
Our train on that first official journey to Washington proved to be a
kind of inchoative “Congressional Limited.” We found many of our
fellow-passengers to be native Alabamians, the majority being on
government business bent. Among them were my husband’s confrère from
southern Alabama, Senator Fitzpatrick and his wife, and a friendship was
then and there begun among us, which lasted uninterruptedly until death
detached some of the parties to it; also Congressman Dowdell, “dear old
Dowdell,” as my husband and everyone in the House shortly learned to
call him, and James L. Orr of South Carolina, who afterward became
Speaker of the House of Representatives, and Minister to Russia under
President Grant. Mr. Orr, late in 1860, was one of the three
commissioners sent by South Carolina to President Buchanan to arbitrate
on the question of the withdrawal of United States troops from Forts
Sumter and Moultrie, in Charleston Harbour.
Nor should I omit to name the most conspicuous man on that memorable
north-bound train, Congressman W. R. W. Cobb, who called himself the
“maker of Senators,” and whom people called the most successful
vote-poller in the State of Alabama. Mr. Cobb resorted to all sorts of
tricks to catch the popular votes, such as the rattling of tinware and
crockery—he had introduced bills to secure indigent whites from a
seizure for debt that would engulf all their possessions, and in them
had minutely defined all articles that were to be thus exempt, not
scorning to enumerate the smallest items of the kitchen—, and he
delighted in the singing of homely songs composed for stump purposes.
One of these which he was wont to introduce at the end of a speech, and
which always seemed to be especially his own, was called “The Homestead
Bill.” Of this remarkable composition there were a score of verses, at
least, that covered every possible possession which the heart of the
poor man might crave, ranging from land and mules to household
furniture. The song began,
“Uncle Sam is rich enough to give us all a farm!”
and Mr. Cobb would sing it in stentorian tones, winking, as he did so,
to first one and then another of his admiring listeners, and punctuating
his phrases by chewing, with great gusto, a piece of onion and the
coarsest of corn “pone.” These evidences of his democracy gave huge
delight to the masses, though it aroused in me, a young wife, great
indignation, that, in the exigencies of a public career my husband
should be compelled to enter a contest with such a man. To me it was the
meeting of a Damascus blade and a meat-axe, and in my soul I resented
it.
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