A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling — John Shaqi
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada SterlingClay-Clopton, Virginia
History
A Belle of the Fifties: Memoirs of Mrs. Clay of Alabama, covering social and political life in Washington and the South, 1853-1866. Put into narrative form by Ada Sterling
Clay-Clopton, Virginia
Clay-Clopton, Virginia, 1825-1915; Confederate States of America -- Social life and customs; Southern States -- Social life and customs -- 1775-1865; United States -- History -- Civil War, 1861-1865 -- Personal narratives, Confederate; Washington (D.C.) -- Social life and customs -- 19th century
It is safe to say that no member of our pleasant circle was more
generally valued than that most lovable of men, Lucius Q. C. Lamar,
“Moody Lamar,” as he was sometimes called; for he was then, as he always
continued to be, full of dreams and ideals and big, warm impulses, with
a capacity for the most enduring and strongest of friendships, and a
tenderness rarely displayed by men so strong as was he.[2] Mr. Lamar was
full of quaint and caressing ways even with his fellow-men, which frank
utterance of his own feelings was irresistibly engaging. I have seen him
walk softly up behind Mr. Clay, when the latter was deep in thought,
touch him lightly on the shoulder, and, as my husband turned quickly to
see what was wanted, “Lushe” or “big Lushe,” as all called him, would
kiss him suddenly and lightly on the forehead.
Yes! Mr. Lamar and his sparkling, bright-souled wife, Jennie Longstreet,
were beloved members of that memorable “mess” in ante-bellum Washington.
Next to Congressman Lamar, I suppose it may safely be said no man was
more affectionately held than another of our mess-mates, Congressman
Dowdell, “old Dowdell,” “dear old Dowdell,” and sometimes “poor, dear
old Dowdell” being among the forms by which he was continually
designated. Mr. Dowdell had a large and loose frame, and walked about
with a countryman’s easy indifference to appearances. A born wag, he
sometimes took a quiet delight in accentuating this seeming
guilelessness.
One evening he came strolling in to dinner, prepared for a comfortable
chat over the table, though all the rest of our little coterie were even
then dressing for attendance at a grand concert. It was an event of
great importance, for Gottschalk, the young Créole musician, of whom all
the country was talking, was to be heard in his own compositions.
“What!” I exclaimed as I saw Mr. Dowdell’s every-day attire, “You don’t
mean to tell me you’re not going to the concert! I can’t allow it,
brother Dowdell! Go right out and get your ticket and attend that
concert with all the rest of the world, or I’ll tell your constituents
what sort of a country representative they’ve sent to the capital!”
My laughing threat had its effect, and he hurried off in quest of the
ticket, which, after some difficulty, was procured.
The concert was a memorable one. During the evening I saw Mr. Dowdell
across the hall, scanning the performers with an enigmatical expression.
At that time Gottschalk’s popularity was at its height. Every concert
programme contained, and every ambitious amateur included in her
repertory, the young composer’s “Last Hope.” At his appearance,
therefore, slender, agile and Gallic to a degree, enthusiasm ran so high
that we forgot to hunt up our friend in the short interval between each
brilliant number.
When Mr. Dowdell appeared at the breakfast table the following morning,
I asked him how he had enjoyed the evening. The Congressman’s response
came less enthusiastically than I had hoped.
Public-domain text, read in full here on John Shaqi.
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