A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
SYDNEY. [_Impatiently_] My dear boy, I’ve never even seen him. Oh, of
course it’s very sad, but I can’t go about with my handkerchief to my
eyes all the time, can I?
KIT. Yes--but--
SYDNEY. I hate cant.
KIT. [_Leaning over the back of the sofa, his hands playing with her
chain_] You little brute--you’re as hard as nails, aren’t you?
SYDNEY. [_Putting up her face to him_] Am I? [_They kiss._]
MISS FAIRFIELD. [_Passing through_] Really Sydney! Before lunch!
KIT. You know, old thing, sometimes I don’t feel as if I should ever
really get on with your aunt.
SYDNEY. [_Dimpling_] You’ll have to if--
KIT. Good Lord! You don’t want her in the house!
SYDNEY. [_Calmly_] I must take her off Mother sometimes. That’s only
fair. But she shan’t worry you.
KIT. I say, you’re going to have things your own way, aren’t you?
SYDNEY. But of course I am, darling.
KIT. [_Heavily_] But look here--marriage is a sort of mutual show, isn’t
it? We’ve got to pull together.
SYDNEY. Of course.
KIT. But suppose we come to a cross-roads, so to speak?
SYDNEY. Well, somebody’ll have to give way, won’t they, darling?
KIT. Hm!
SYDNEY. My dear boy, if you want a door-mat you’d better look out for
someone--someone like poor dear Mother, for instance.
KIT. [_Wiser than he knows_] But you _are_ like her, Sydney!
SYDNEY. Me? Do you think I’d let my daughter run me the way I run
Mother? Not much!
MISS FAIRFIELD. [_Re-entering_] I think I left my-- [_murmurs_].
SYDNEY. [_Aside_] It’s no good. She’s doing this on purpose because I
cheeked her. You’d better go, old man. Besides, they must be well
through the anthem.
KIT. [_Disturbed_] Good Lord! I should think I had better go!
SYDNEY. [_Going with him to the door_] I say, keep your father quiet
till I’ve had time to talk to Gray.
KIT. Right! [_He goes out._]
SYDNEY. [_Calling_] Kit!
KIT. [_Reappearing_] Yes?
SYDNEY. Come round in the afternoon.
KIT. Right! [_He goes out._]
SYDNEY. [_Calling_] Kit!
KIT. [_Reappearing_] Yes?
SYDNEY. I don’t suppose there’ll ever be any cross-roads.
KIT. Darling! [_A scuffle._ SYDNEY _reappears patting her hair_.]
MISS FAIRFIELD. I’m afraid I disturbed a _tête-à-tête_.
SYDNEY. [_Sweetly_] Oh, Auntie, whatever made you think that?
MISS FAIRFIELD. But I really couldn’t sit in the drawing-room. There’s
no fire. [_She sits down and opens her book_.]
SYDNEY. [_In a soft little voice, hums_] “When we are married we’ll have
sausages for tea.”
MISS FAIRFIELD. Do you mind being quiet while I read the service?
SYDNEY. Sorry! [_She takes up some knitting._]
MISS FAIRFIELD. What are you doing?
SYDNEY. Tie for Kit.
MISS FAIRFIELD. Sydney! Needlework on Sunday!
SYDNEY. Well, I can’t sit in the drawing-room either if there’s no
fire.
MISS FAIRFIELD. There’s no need to lose your temper.
SYDNEY. [_Out of patience_] Here, I’m going. [_As she makes for the
staircase the telephone gives a broken tinkle._]
MISS FAIRFIELD. Sydney, I believe that telephone’s going off!
Public-domain text, read in full here on John Shaqi.
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