A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
KIT. [_Carelessly_] How’d I know?
SYDNEY. [_With a sudden spurt of suspicion_] Kit! What colour are mine?
KIT. [_Helplessly_] Oh, er--oh--
SYDNEY. [_Terribly_] Kit! What colour are mine? [_Relenting_] Look at my
frock, you donkey! What do you suppose I wear blue for? So Alice has got
blue eyes!
KIT. How do you know?
SYDNEY. I know you, Kit. You’re conservative.
KIT. As a matter of fact, she isn’t unlike you. That’s what made me talk
to her.
SYDNEY. Oh, you’ve talked to her?
KIT. [_Warming_] Oh, yes--quite a lot. She’s a friend of my sister’s.
SYDNEY. She always is.
KIT. What d’you mean--“she always is”? I tell you I’ve only met her four
times. I can’t make you out.
SYDNEY. No?
KIT. I wish I could make you out.
SYDNEY. [_An ache in her voice_] Oh, I wish you could.
KIT. [_Responding instantly_] I say, old thing, is anything really the
matter?
SYDNEY. [_With a glance at_ MARGARET] I’m worried.
KIT. Oh, that! Yes, it’s beastly for your mother.
SYDNEY. Oh, it’s not that. At least--
KIT. What?
SYDNEY. [_Lightly_] Oh, I don’t know.
KIT. [_Puzzled_] Can’t you tell me?
SYDNEY. No, old man.
KIT. [_As in_ ACT. I.] But--look here--marriage has got to be a sort of
mutual show, hasn’t it? Confidence, and all that?
SYDNEY _goes off into a peal of laughter_.
KIT. What’s the matter now?
SYDNEY. Do you preach this sort of sermon to Alice?
KIT. Sydney--that’s--that’s rude--that’s--that’s--
SYDNEY. Take time, darling!
KIT. You’re being simply insulting.
SYDNEY. Too bad! I should go and tell Alice.
KIT. Damn Alice!
SYDNEY. Oh, no, Kit, she’s got blue eyes.
KIT. [_Storming_] Look here, what’s up?
SYDNEY. Nix.
KIT. Have you really got your back up? What’s the matter with you,
Sydney?
SYDNEY. D’you want to know?
KIT. [_With a certain dignity_] I think I’d better.
SYDNEY. Well, it’s [_yawning_] “jam to-morrow, jam yesterday, but--”
Surely you know how it ends?
KIT. I don’t. And I don’t want to.
SYDNEY. [_Drearily_] “But never jam to-day.”
KIT. [_Startled_] Why, Sydney!
SYDNEY. [_Recovering herself, lightly_] D’you know what that’s out of?
KIT. No.
SYDNEY. [_Mischievously_] You ought to--“Alice”--
KIT _makes a furious gesture_.
SYDNEY. [_Appeasing him_] No, no, no! “Alice through the Looking-glass!”
[_More soberly_] I can’t help it, Kit. When I look in the looking-glass
I see--Alice.
KIT. Once and for all, Sydney, will you shut up about Alice?
SYDNEY. Can’t. It’s her jam to-day.
KIT. I wish you’d talk sense for a change.
SYDNEY. But I am. I’m conveying to you as nicely and tactfully as
possible that I’m--
KIT. [_Apprehensive at last_] What, Sydney?
SYDNEY. Tired of jam.
KIT. [_Heavily_] D’you mean you’re tired of me?
SYDNEY. That would be putting it crudely.
KIT. What’s got into you? I don’t know you.
SYDNEY. P’raps you’re beginning to.
KIT. But what have I done?
Public-domain text, read in full here on John Shaqi.
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