A Bill of Divorcement: A Play in Three ActsDane, Clemence
General
A Bill of Divorcement: A Play in Three Acts
Dane, Clemence
England -- Social life and customs -- 20th century -- Drama; Families -- Drama; Man-woman relationships -- Drama; Mental illness -- Drama
MARGARET. You know--you know they’re not true.
GRAY. Then what do you mean when you say, “I won’t come?”
MARGARET. I mean--Hilary. I’ve got to put him first because--because
he’s weak. You--you’re strong.
GRAY. Not strong enough to do without my birthright. I want my wife and
my children. I’ve waited a long while for you. Now you must come.
SYDNEY _comes down the stairs, a red furred cloak over her arm. She
pauses a few steps from the bottom, afraid to break in on them._
MARGARET. If Hilary’s left alone he’ll go mad again.
GRAY. Margaret--come.
MARGARET. How can I?
GRAY. Margaret, my own heart--come.
MARGARET. You oughtn’t to torture me. I’ve got to do what’s right.
GRAY. [_Darkening_] Are you coming with me? I shan’t ask it again.
MARGARET. Oh, God--You hear him! What am I to do?
SYDNEY _comes down another step_.
GRAY. Why, you’re to do as you choose. I shan’t force you. I’m not your
turn-key. I’m not your beggar. We’re free people, you and I. It’s for
you to say if you’ll keep your--conscience, do you call it?--and lose--
MARGARET. I’ve lost what I love. There’s no more to lose.
GRAY. You sing as sweetly as a toy nightingale. Almost I’d think you
were real.
MARGARET. [_Wounded_] I don’t know what you mean.
GRAY. “What you love!” You don’t know the meaning of the notes you use.
MARGARET. [_Very white, but her voice is steady_] Don’t deceive
yourself. I love you. I ache and faint for you. I starve--
SYDNEY. [_Appalled, whispering_] What is it? I don’t know her.
MARGARET. I’m withering without you like cut grass in the sun. I love
you. I love you. Can’t you see how it is with me? But--
GRAY. There’s no “but” in love.
MARGARET. What is it in me? There’s a thing I can’t do. I can’t see such
pain.
GRAY. [_Hoarsely_] Do you think _I_ can’t suffer?
MARGARET. I _am_ you. But he--he’s so defenceless. It’s
vivisection--like cutting a dumb beast about to make me well. I can’t do
it. I’d rather die of my cancer.
GRAY. [_The storm breaking_] Die then--you fool--you fool!
SYDNEY _descends another step. The cloak slides from her hands on
to the baluster._
GRAY. [_Without expression_] Good-bye.
MARGARET. [_Blindly_] Forgive--
GRAY. How can I?
MARGARET. I would you--
GRAY. D’you think I bear you malice? It’s not I. Why, to deny me, that’s
a little thing. I’ll not go under because you’re faithless. But what
you’re doing is the sin without forgiveness. You’re denying--not me--but
life. You’re denying the spirit of life. You’re denying--you’re denying
your mate.
SYDNEY. [_Strung up to breaking point_] Mother, you shall not.
MARGARET. [_As they both turn_] Sydney!
SYDNEY. [_Coming down to them_] I tell you--I tell you, you shall not.
MARGARET. [_Sitting down, with a listless gesture_] I must. There’s no
way out.
SYDNEY. There is. For _you_ there is. I’ve thought it all along, and now
I know. Father--he’s my job, not yours.
Public-domain text, read in full here on John Shaqi.
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