Produced by An Anonymous Project Gutenberg Volunteer A BIOGRAPHY OF EDMUND SPENSER By John W. Hales Revised 1896 From the Macmillan Globe edition of THE WORKS OF EDMUND SPENSER Please note: Accented, etc. characters are shown thus: {a\} = a + grave accent {e\} = e + grave accent {e"} = e + diaeresis mark {ae} = ae diphthong {oe} = oe dipthong Footnotes for each chapter are enclosed in curly brackets, e.g. {1} Regions of italic type are defined by underscores _E D M U N D S P E N S E R_. Ille velut fidis arcana sodalibus olim Credebat libris; neque, si male cesserat, unquam Decurrens alio, neque si bene; quo fit ut omnis Votiva pateat veluti descripta tabella Vita senis. Hither, as to their fountain, other stars Repairing in their urns draw golden light. The life of Spenser is wrapt in a similar obscurity to that which hides from us his great predecessor Chaucer, and his still greater contemporary Shakspere. As in the case of Chaucer, our principal external authorities are a few meagre entries in certain official documents, and such facts as may be gathered from his works. The birth-year of each poet is determined by inference. The circumstances in which each died are a matter of controversy. What sure information we have of the intervening events of the life of each one is scanty and interrupted. So far as our knowledge goes, it shows some slight positive resemblance between their lives. They were both connected with the highest society of their times; both enjoyed court favour, and enjoyed it in the substantial shape of pensions. They were both men of remarkable learning. They were both natives of London. They both died in the close vicinity of Westminster Abbey, and lie buried near each other in that splendid cemetery. Their geniuses were eminently different: that of Chaucer was the active type, Spenser's of the contemplative; Chaucer was dramatic, Spenser philosophical; Chaucer objective, Spenser subjective; but in the external circumstances, so far as we know them, amidst which these great poets moved, and in the mist which for the most part enfolds those circumstances, there is considerable likeness. Spenser is frequently alluded to by his contemporaries; they most ardently recognised in him, as we shall see, a great poet, and one that might justly be associated with the one supreme poet whom this country had then produced--with Chaucer, and they paid him constant tributes of respect and admiration; but these mentions of him do not generally supply any biographical details. The earliest notice of him that may in any sense be termed biographical occurs in a sort of handbook to the monuments of Westminster Abbey, published by Camden in 1606. Amongst the 'Reges, Regin{ae}, Nobiles, et alij in Ecclesia Collegiata B. Petri Westmonasterii sepulti usque ad annum 1606' is enrolled the name of Spenser,