A Bird of Passage, and Other StoriesHarraden, Beatrice
General
A Bird of Passage, and Other Stories
Harraden, Beatrice
English fiction -- 19th century; Short stories, English
"She was the lady who was annoyed at me because I tuned the piano," the
little girl said. "Still it had to be done. It was plainly my duty. I
seemed to have come for that purpose."
"It has been confoundedly annoying having it out of tune," he said.
"I’ve had to give up singing altogether. But what a strange profession
you have chosen! Very unusual, isn’t it?"
"Why, surely not," she answered, amused. "It seems to me that every
other woman has taken to it. The wonder to me is that any one ever
scores a success. Nowadays, however, no one could amass a huge fortune
out of it."
"No one, indeed!" replied Oswald Everard, laughing. "What on earth made
you take to it?"
"It took to me," she said simply. "It wrapt me round with enthusiasm.
I could think of nothing else. I vowed that I would rise to the top of
my profession. I worked day and night. But it means incessant toil for
years if one wants to make any headway."
"Good gracious! I thought it was merely a matter of a few months," he
said, smiling at the little girl.
"A few months!" she repeated scornfully. "You are speaking the language
of an amateur. No; one has to work faithfully year after year, to grasp
the possibilities and pass on to greater possibilities. You imagine
what it must feel like to touch the notes, and know that you are keeping
the listeners spellbound; that you are taking them into a fairyland of
sound, where petty personality is lost in vague longing and regret."
"I confess that I had not thought of it in that way," he said humbly.
"I have only regarded it as a necessary everyday evil; and to be quite
honest with you, I fail to see now how it can inspire enthusiasm. I
wish I could see," he added, looking up at the engaging little figure
before him.
"Never mind," she said, laughing at his distress; "I forgive you. And
after all, you are not the only person who looks upon it as a necessary
evil. My poor guardian abominated it. He made many sacrifices to come
and listen to me. He knew I liked to see his kind old face, and that
the presence of a real friend inspired me with confidence."
"I should not have thought it was nervous work," he said.
"Try it and see," she answered. "But surely you spoke of singing. Are
you not nervous when you sing?"
"Sometimes," he replied, rather stiffly. "But that is slightly
different." (He was very proud of his singing, and made a great fuss
about it.) "Your profession, as I remarked before, is an unavoidable
nuisance. When I think what I have suffered from the gentlemen of your
profession, I only wonder that I have any brains left. But I am
uncourteous."
"No, no," she said. "Let me hear about your sufferings."
"Whenever I have specially wanted to be quiet," he said; and then he
glanced at her childish little face, and he hesitated. "It seems so
rude of me," he added. He was the soul of courtesy, although he was an
amateur tenor singer.
"Please tell me," the little girl said, in her winning way.
Public-domain text, read in full here on John Shaqi.
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