A Bird of Passage, and Other StoriesHarraden, Beatrice
General
A Bird of Passage, and Other Stories
Harraden, Beatrice
English fiction -- 19th century; Short stories, English
No one spoke to the little girl at table d’hôte; but for all that she
enjoyed her dinner, and gave her serious attention to all the courses.
Being thus solidly occupied, she had not much leisure to bestow on the
conversation of the other guests. Nor was it specially original: it
treated of the shortcomings of the chef, the tastelessness of the soup,
the toughness of the beef, and all the many failings which go to
complete a mountain-hotel dinner. But suddenly, so it seemed to the
little girl, this time-honored talk passed into another phase; she heard
the word music mentioned, and she became at once interested to learn
what these people had to say on a subject which was dearer to her than
any other.
"For my own part," said a stern-looking old man, "I have no words to
describe what a gracious comfort music has been to me all my life. It
is the noblest language which man may understand and speak. And I
sometimes think that those who know it, or know something of it, are
able at rare moments to find an answer to life’s perplexing problems."
The little girl looked up from her plate. Robert Browning’s words rose
to her lips, but she did not give them utterance:
"God has a few of us whom he whispers in the ear;
The rest may reason, and welcome; ’tis we musicians know."
"I have lived through a long life," said another elderly man, "and have
therefore had my share of trouble, but the grief of being obliged to
give up music was the grief which held me longest, or which perhaps has
never left me. I still crave for the gracious pleasure of touching once
more the strings of a violoncello, and hearing the dear tender voice
singing and throbbing and answering even to such poor skill as mine. I
still yearn to take my part in concerted music, and be one of those
privileged to play Beethoven’s string quartettes. But that will have to
be in another incarnation, I think."
He glanced at his shrunken arm, and then, as though ashamed of this
allusion to his own personal infirmity, he added hastily:
"But when the first pang of such a pain is over, there remains the
comfort of being a listener. At first one does not think it a comfort;
but as time goes on, there is no resisting its magic influence. And
Lowell said rightly that ’one of God’s great charities is music.’"
"I did not know you were musical, Mr. Keith," said an English lady.
"You have never before spoken of music."
"Perhaps not, madam," he answered. "One does not often speak of what one
cares for most of all. But when I am in London I rarely miss hearing
our best players."
At this point others joined in, and the various merits of eminent
pianists were warmly discussed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account