The Theatre is said to have commenced at Athens, but to have been so much disapproved of, both in Greece and at Rome, that it was allowed no permanency till the days of Pompey. Minutius Felix derided the Christians for abstaining from this amusement. It is not probable therefore that the first Christians required any reproof in any of the Epistles for this vice. But every abuse of it may find its correction in scripture. Morals and piety may be thrown into Dialogue without reasonable objection. But to turn these things into play, and the amusement of the reprobate, cannot be justified.—There is no fairness in arguing from what they might be, to prove the lawfulness of plays in the state in which they are, always have been, and will probably always be. That they are, and tend to evil is proved by the avidity with which they are frequented by even the worst members of society. They are calculated to excite the affections and passions in the highest manner, and so to render private happiness, domestic enjoyments, and religious observances insipid or disgusting. The reiteration of scenes of impurity, illicit amours, extravagant passions, jealousy, and revenge, will make a silent and secret impression upon the mind, and if they do not promote the same wickedness, they will at least render the mind less abhorrent of such crimes. True religion requires the exclusion of such imaginations, the immediate banishment of such thoughts, that we should mortify and deny ourselves; “_Blessed are the pure in heart for they shall see God._” The cruelty and bloodshed frequently threatened, or resorted to in defence of false honour; the pomp, pride, and ambition not unfrequently exhibited upon the stage, must necessarily prompt to like feats in vindication of character, or at least lead to self-importance and fastidiousness; but the gospel teaches humility, self-denial, lowliness of mind; “_Blessed are the poor in spirit._” When such representations please, they prove the mind corrupt, and become an index of the morals of those who are entertained with such spectacles. The Christian duties of meekness, silence, forbearance, humility, bearing the cross, faith, and repentance, are either incapable of being transferred to the stage, or if seen there are exposed to contempt, and ridicule. The addresses to Deity, and prayers there offered, are surely Heaven-provoking blasphemies. The Theatre interrupts religious, domestic, and public duties; it dissipates and fascinates the mind; weakens conscience, grieves the Holy Spirit, wastes property, and time; and unqualifies both for this, and the world to come. Every one who attends is chargeable with the evil which obtains before him, for he goes voluntarily, he submits himself as to the matter of his amusement to others, and thus with the blessings of Providence, bribes the enemies of God to blaspheme him.