Dreiser, Theodore, 1871-1945; Journalists -- United States -- Biography; Novelists, American -- 20th century -- Biography
The stage in other lands had already seen a few tremendous periods; even
here in America the mimetic art was no mystery. A few great things had
been done, in acting at least, by Booth, Barrett, Macready, Forrest,
Jefferson, Modjeska, Fanny Davenport, Mary Anderson, to name but a few.
I was too young at the time to know or judge of their art or the quality
of the plays they interpreted, aside from those of Shakespeare perhaps,
but certainly their fame for a high form of production was considerable.
And yet, during the few months that I was dramatic editor, and the
following year when I was a member of another staff and had entrée to
these same theaters, I saw only one or two actors worthy the name, only
one or two performances which I can now deem worth while. Richard
Mansfield and Felix Morris stand out in my mind as excellent, and Sol
Smith Russell and Joseph Jefferson as amusing comedians, but who else?
Comic and light opera, with a heavy inter-mixture of straight melodrama,
and comedy-dramas, were about the only things that managers ventured to
essay. Occasionally a serious actor of the caliber of Sir Henry Irving
or E. S. Willard would appear on the scene, but many of their plays were
of a more or less melodramatic character, highly sentimental, emotional
and unreal. In my stay here of about a year and a half I saw Joseph
Jefferson, Sol Smith Russell, Salvini junior, Wilson Barrett, Fanny
Davenport, Richard Mansfield, E. S. Willard, Felix Morris, E. H.
Sothern, Julia Marlowe and a score of others more or less important but
too numerous to mention; comedians, light-opera singers and the like;
and although at the time I was entertained and moved by some of them, I
now realize that in the main they were certainly pale spindling lights.
And at that, America was but then entering upon its worst period of
stage sentiment or mush. The movies as such had not yet appeared, but
“Mr. Frohman presents” was upon us, master of middle-class sweetness and
sentimentality. I remember staring at the three-sheet lithos and
thinking how beautiful and perfect they were and what a great thing it
was to be of the stage. To be an author, an actor, a composer, a
manager! To have “Mr. Frohman present——”!
Public-domain text, read in full here on John Shaqi.
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