Dreiser, Theodore, 1871-1945; Journalists -- United States -- Biography; Novelists, American -- 20th century -- Biography
The Empire and Lyceum theater companies, with their groups of perfect
lady and gentleman actors, were then at their height, the zenith of
stage art—Mr. John Drew, for instance, with his wooden face and manners,
Mr. Faversham, Miss Opp, Miss Spong, Miss This, Miss That. Such
excellent actors as Henry E. Dixey, Richard Mansfield or Felix Morris
could scarcely gain a hearing. I recall sitting one night in Hogan’s
Theater, at Ninth or Tenth and Pine streets, and hearing Richard
Mansfield order down the curtain at one of the most critical points in
his famous play “Baron Chevreuil,” or some such name, and then come
before it and denounce the audience in anything but measured terms for
what he considered its ignorance and lack of taste. It had applauded, it
seems, at the wrong time in that asinine way which only an American
audience can when it is there solely because it thinks it ought to be.
By that time Mansfield had already achieved a pseudo if not a real
artistic following and was slowly but surely becoming a cult. On this
occasion he explained to that bland gathering that they were fools, that
American audiences were usually composed of such animals or creatures
and were in the main dull to the point of ennui, that they were not
there to see a great actor act but to see a man called Richard
Mansfield, who was said to be a great actor. He pointed out how
uniformly American audiences applauded at the wrong time, how truly
immune they were to all artistic values, how wooden and
reputation-following. At this some of them arose and left; others seemed
to consider it a great joke and remained; still others were angry but
wanted to see the “show.” Having finished his speech he ordered up the
curtain and proceeded with his act as though nothing had happened, as
though the audience were really not there. I confess I rather liked him
for his stand even though I did not quite know whether he was right or
wrong. But I wrote it up as though he had grossly insulted his audience,
a body of worthy and respectable St. Louisans. Someone—Hazard, I
think—suggested that it would be good policy to do so, and I, being
green to my task, did so.
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account