Drama -- History and criticism; Theater; Theater -- History
In fact, the more minutely the history of the stage is studied, the more
clearly do we perceive that the beginnings of every form of the drama
are strangely unpretentious, and that literary merit is attained only in
the final stages of its development. Dramatic literature is but the
ultimate evolution of that which in the beginning was only an
insignificant and unimportant experiment in the show business; and it
must always remain intimately related to the show business, even when it
climbs to the lonely peaks of the poetic drama. Whatever its value, and
however weighty its message, it is still to be commented upon under the
head of "amusements," for if it does not succeed in amusing, it ceases
to exist except in the library, and even there only for special
students. It lives by its immediate theatrical effectiveness alone, even
if it can survive solely by its literary quality.
IV
Those who are in the habit of gaging the drama by this literary quality
only are prone to deplore the bad taste of the public which flocks to
purely spectacular pieces. But this again is no new thing, and it does
not disclose any decline in the ability to appreciate the best. A
century ago in London, when Sarah Siddons and John Philip Kemble were in
the full plenitude of their powers, and when they were performing the
noblest plays of Shakspere, they were thrust aside for a season or two
while the theater was given up to empty melodramatic spectacles like
'Castle Specter' and the 'Cataract of the Ganges.' It was horrifying to
the lovers of the drama that these great actors in those great plays
should have to give way to the attraction exerted on the public by a
trained elephant, or by an imitation waterfall; but it is equally
horrifying to be informed that the theater in London for which Shakspere
wrote his masterpieces, and in which he himself appeared as an actor,
was also used for fencing-matches, and for bull-baitings and
bear-baitings, and that the theater in Athens for which Sophocles wrote
his masterpieces, and in which he may have appeared as an actor, was
also used for the annual cock-fight.
Public-domain text, read in full here on John Shaqi.
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