Drama -- History and criticism; Theater; Theater -- History
[Illustration: _Reproduced by permission of E. Flammarion, Paris_
The Sphinx III: Roman warriors in Egypt
From a shadow picture by Amédée Vignola]
M. Fragerolle composed the music and the words of the stately chants
which accompanied the exhibition of the figures passing before the
backgrounds, due to the pencil and the palette of M. Vignola. By the aid
of the magic lantern the gigantic visage of the lion with a woman's head
towers aloft, permanent and immutable, while the joyous procession of
Egyptian dancers and soldiers and priests celebrates the completion of
the statue itself. Then we are witnesses of the fierce invasion of the
Assyrians, with the charge of their chariots and their horsemen; and we
behold the rout of the natives while their capital burns in the
distance. Next we gaze at the departure of the Jews, led by Moses and
laden with the spoils of the Egyptians. After the Hebrews have gone,
Sesostris appears, to be greeted by a glad outpouring of the populace.
Yet soon the Persians descend on Egypt, with their castellated elephants
and their immense hordes of fighting men. Still the Sphinx looks down,
immovable and implacable; and the Greeks in turn take the valley of the
Nile for their own. One of their daughters, Cleopatra, floats past in
her galley by night; and in the morning she extends her hospitality to
the Roman, Cæsar or Antony. And while the Latins are the rulers of the
land of Egypt, the Virgin and her Son with the patient ass that bears a
precious burden, skirt the sandy waste, and go on their way to the Holy
Land, leaving the Sphinx behind them as they journey forward in the
green moonlight. After long centuries the Arabs break in with their
brilliant bands of horsemen, and a little later the Crusaders come to
give them battle. More long centuries elapse and suddenly Napoleon
emerges at the head of the troops of the French Republic. Then we have
the Egypt of to-day, with the British soldiers parading before the feet
of the Sphinx; and finally the recumbent statue appears to us once more
and for the last time, when the light of the sun is going out, and the
world is emptied of its population again, and the ice is settling down
on the Sphinx, alone amid freezing desolation. And this last vision is
projected by the magic lantern, without the aid of any profile figures,
since man has ceased to be.
Public-domain text, read in full here on John Shaqi.
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