Drama -- History and criticism; Theater; Theater -- History
The counterweighted wires which permit the figures of the Flying Ballet
to soar over the stage and to float aloft in the air, disturb the
current of our sympathy when they are employed to lend lightness to
intangible creatures like the weird sisters of Shakspere's tragedy; but
they have been more artistically utilized in two of Shakspere's comedies
to suggest the ethereality of Puck and of Ariel. The action of the
'Midsummer Night's Dream' takes place in fairy-land, and that of the
'Tempest' passes in an enchanted island, and even if we wonder for a
moment how the levitation of these airy spirits is achieved, this
temporary distraction of our attention is negligible in playful comedies
like these with all their scenes laid in a land of make-believe. And yet
it may be doubted whether even the 'Midsummer Night's Dream' and the
'Tempest,' fairy-plays as they are, do not on the whole lose more than
they gain from elaborate scenic and mechanical adjuncts. They are of
poetry all compact, and the more simply they are presented, the less
obtrusive the scenery and the less protruded the needful effects, the
more the effort of the producer is centered upon preserving the ethereal
atmosphere wherein the characters live, move, and have their being, the
more harmonious the performance is with the pure fancy which inspired
these two delightful pieces, then the more truly successful is the
achievement of the stage-manager.
IV
On the other hand, of course, the scenic accompaniment of a poetic play,
whether tragic or romantic or comic, must never be so scant or so barren
as to disappoint the spectators. The stage-accessories must be adequate
and yet subordinate; they ought to resemble the clothes of a truly
well-dressed woman, in that they never call attention to themselves
altho they can withstand and even reward intimate inspection. This
delicate ideal of artistic stage-setting, esthetically satisfying, and
yet never flamboyant, was completely attained in the production of
'Sister Beatrice,' at the New Theater, due to the skill and taste of Mr.
Hamilton Bell. The several manifestations of the supernatural might
easily have been over-emphasized; but a fine restraint resulted in a
unity of tone and of atmosphere, so subtly achieved that the average
spectator carried away the memory of more than one lovely picture
without having let his thoughts wander away to consider by what means he
had been made to feel the presence of a miracle.
Public-domain text, read in full here on John Shaqi.
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