The set of the last act of the 'Garden of Allah' 148 A set for 'Medea' 148 The set of 'OEdipe-Roi' (at the Théâtre Français) 150 The set of the 'Return of Peter Grimm' 150 Scenes from Punch and Judy 274 Scenes from Punch and Judy (continued) 276 Roman puppets. Greek and Roman puppets. Puppet of Java 290 A Sicilian marionette show 292 A Belgian puppet. A Chinese puppet theater. Puppet figure representing the younger Coquelin 294 Puppets in Burma 296 The puppet play of Master Peter (Italian) 296 A Neapolitan Punchinella 300 The broken bridge. Plan showing the construction of a shadow-picture theater. A Hungarian dancer (a shadow picture) 308 Shadow Pictures. The return from the Bois de Boulogne. The ballet. A regiment of French soldiers 310 Shadow Picture. The Sphinx I: Pharaoh passing in triumph 312 Shadow Picture. The Sphinx II: Moses leading his people out of Egypt 314 Shadow Picture. The Sphinx III: Roman warriors in Egypt 316 Shadow Picture. The Sphinx IV: The British troops to-day 318 I THE SHOW BUSINESS THE SHOW BUSINESS I At an interesting moment in Disraeli's picturesque career in British politics he indulged in one of his strikingly spectacular effects, in accord with his characteristic method of boldly startling the somewhat sluggish imagination of his insular countrymen; and in the next week's issue of _Punch_ there was a cartoon by Tenniel reflecting the general opinion in regard to his theatrical audacity. He was represented as Artemus Ward, frankly confessing that "I have no principles; I'm in the show business."