Drama -- History and criticism; Theater; Theater -- History
It is a significant fact that whenever and wherever the drama has
flourished most abundantly and most luxuriantly, we are certain to find
a tendency to collaboration, to the partnership of two authors in the
composition of one play. In England in the spacious days of good Queen
Bess, there is not only the famous association of Beaumont and Fletcher,
but also a host of other more or less temporary combinations, Fletcher
with Shakspere and Massinger, Dekker with Ben Jonson and with Middleton.
In Spain Lope de Vega joined forces with Montalvan and with others. In
France in the seventeenth century Molière, once at least called to his
aid Corneille and Quinault; and in France again in the nineteenth
century we find Augier working with Sandeau and with Foussier, Scribe
working with Legouvé, and with a score of others, while Dumas the elder
was encompassed by a cloud of collaborators, and Dumas the younger was
willing on more than one occasion to join various writers in the plays
which he included in the separate volumes of his works, called by him
the 'Théâtre des Autres.' Then also in France there was the
long-continued alliance of Meilhac and Halévy, to which we owe
'Froufrou' and the 'Grand Duchess of Gérolstein'; and there was also
the almost equally interesting association of MM. Caillavet and de
Flers. Sardou had one ally in the composition of 'Divorçons,' and
another in the composition of 'Madame Sans Gêne.' In Great Britain in
recent years we have seen Sir James Barrie and Sir Arthur Pinero unite
in writing a book for music; Mr. Bennett and Mr. Knoblauch unite in
writing 'Milestones'; Mr. Granville Barker and Mr. Laurence Housman
unite in writing 'Prunella.' And in the United States there was a score
of years ago the steady collaboration of Mr. Belasco with the late H. C.
De Mille, to which we owe the 'Charity Ball' and the 'Wife'; and more
recently Mr. Belasco also has collaborated with Mr. John Luther Long in
writing 'Madame Butterfly,' and the 'Darling of the Gods.' Mr. Augustus
Thomas was once the partner of Mr. Clay Greene; Mr. Bronson Howard
composed one of his latest plays, 'Peter Stuyvesant, Governor of New
Amsterdam,' in association with another American man of letters; and Mr.
Booth Tarkington and Mr. Harry Leon Wilson were the co-authors of the
'Man from Home' and of half a dozen other pieces.
Public-domain text, read in full here on John Shaqi.
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