It would be highly presumptuous in me to attempt to describe the pictures from so cursory a view. Suffice it to say, they are chiefly of the first class; and I cannot charge the possessor with an indifferent specimen. Wilson and Gainsborough were honoured with two of the best places in this room, which commands a most beautiful view of the grounds. In passing to the best staircase, our eyes were attracted by the works of Rubens, Ruysdael, Salvator Rosa, etc. I was highly gratified with the standing of the colours of one of the rich landscapes from the easel of my old and worthy friend, George Arnald, A.R.A. This picture was originally purchased by my revered patron, Richard Wyatt, of Milton Place, Egham, at whose sale Mr. Esdaile bought it. Two sumptuously rich and large dishes of Oriental china, with their stands, occupy the corners of the staircase, which leads to several chambers; the walls of the left-hand one of which are adorned with drawings, framed and glazed, by Cipriani and Bartolozzi; but more particularly with several architectural ruins by Clerisseau, in his finest manner. On the north side of this room stands a magnificent japan glazed case, which contains specimens of the Raphael ware and Oriental porcelain, with two richly adorned alcoves, with figures of Gibbon the historian, and his niece, manufactured at Dresden. In Mr. Esdaile’s bedroom are other specimens of curious porcelain, of egg-shell plates, cups and covers of the dragon with five claws, and two exquisite black and mother-o’-pearl flower-pots, from the collection of the Duchess-Dowager of Portland. On the top of a curiously wrought cabinet, in the drawing-room below stairs, stand three dark rich blue vases of Sèvres, and two vases of deep blue, embossed with gold leaves, from the Chelsea manufactory. These articles, with a curious figure of Harlequin set in precious stones, the body of which is formed of an immense pearl, were purchased by Mr. Esdaile at the sale of her late gracious Majesty Queen Charlotte. The lower parts of the japan case in the upper room are filled with drawings; so are two other cases which stand on the western side of the room, made purposely for their reception.