The first drawings of our repast this day (for it would take twenty to see the whole) were those by the inimitable hand of Rembrandt, many of which were remarkably fine, one particularly so, of a man seated on a stile near some trees, which appear to have been miserably affected by a recent storm. This drawing is slight, and similar in manner to the artist’s etching, called by some collectors the “Mustard Print.” One of the drawings with landscapes on both sides is remarkably curious, as they are drawn with what is called “the Metallic Pen”; it is certainly the first specimen of the kind I have seen. The Ostade drawings were our next treat, two of which the artist etched; one is the long print of a merry-making on the outside of an alehouse, penned and washed; the other is of the backgammon-players, completely finished in water-colours. At this time the servant announced nooning; after which Mr. Smedley requested to see Hogarth’s prints, in order to report to Mr. Standly[437] the rarities in Mr. Esdaile’s collection. In this, however, we were disappointed, as it did not contain any which that gentleman did not possess. On our return to Mr. Esdaile’s room, we were indulged with several of Hogarth’s drawings. A volume containing numerous drawings by Wilson was then placed on the table. “Bless me,” said I, “here is the portrait of my great-uncle, Tom of Ten Thousand.”[438] This is the identical drawing thus described by Edwards:--“It may, however, be asserted, that he drew a head equal to any of the portrait-painters of his time. A specimen of which may be seen by a drawing, now in the possession of J. Richards, Esq., R.A.,[439] which is the portrait of Admiral Smith, and which was drawn before Wilson went abroad. It is executed in black and white chalk, as large as life, upon brown French paper, and is treated in a bold, masterly manner; but this is not a work which can authorise the critic to consider him as superior to the other portrait-painters of his day.”[440] This drawing was made by Wilson, before he commenced the picture which I am now in possession of, so well engraved in mezzotinto by Faber. Of these inestimable drawings, which are mostly in black chalk, stumped, perhaps the most interesting are those for Celadon and Amelia, and the Niobe. Valuable and truly epic as these specimens certainly are, I must say, for my own part, I should give the preference to the book containing those by Gainsborough, of rustic scenery. I had seen many of them before, in the possession of the artist, Colonel Hamilton, Mr. Nassau, and Mr. Lambert. Two that were possessed by the latter, are stamped with Gainsborough’s initials in gold. Dr. Richardson,[441] Mr. Esdaile’s son-in-law, having arrived, and dinner being announced, we gave up these fascinating sources of pleasure, for that which would enable us to enjoy them another day.