A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833Smith, John Thomas
History
A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833
Smith, John Thomas
Great Britain -- Social life and customs -- 18th century; Great Britain -- Social life and customs -- 19th century
King William III., who took every opportunity of rendering these
apartments as pleasing to him as those he had left in the house in the
Wood, introduced nothing by way of porcelain, beyond that of delf, and on
that ware, in many instances, his Majesty had W. R., surmounted by the
crown of England, painted on the fronts. Of the various specimens of this
clumsy blue and white delf, displayed in the numerous rooms of this once
magnificent palace, the pride of Wolsey and splendour of Henry VIII., the
eight large pots for the reception of King William III.’s orange-trees,
now standing in her Majesty’s gallery, certainly have claims to future
protection. As for the old and ragged bed-furniture, it is so disgraceful
to a palace, that, antiquary as I in some degree consider myself, I
most heartily wish it in Petticoat Lane. In passing through the rooms,
I missed the fine whole-length picture of Admiral Nottingham,[446] and
also the thirty-four portraits of the Admirals. The guide informed me
that they were presented by our present King, William IV., to the Painted
Hall at Greenwich. “A noble gift,” said I, “but where can they put them
up?” In order to take some refreshment, we entered the parlour of the
“Canteen,” that being the sign of the suttling-house of the Palace.
During our stay, Legat’s[447] fine engraving from Northcote’s forcibly
effective picture of the “Death of the Princes in the Tower,” which
honoured the room, caught the attention of one of two other visitors to
the Palace. “Bless me,” said he, “are those brutes going to smother those
sweet babes? Why, they are as beautiful as the Lichfield children.”[448]
The observation was not made to me, and as the subject has been too often
mentioned, I shall forbear saying more about it.
As my wife and I were strolling on, in order to secure places for
our return to London in the evening, I ventured to pull the bell at
Garrick’s Villa, and asked for permission to see the temple in which
Roubiliac’s figure of Shakspeare had originally been placed.[449]
Mr. Carr, the present proprietor of the estate, received us with the
greatest politeness. Upon expressing a hope that my love for the fine
arts would plead my apology for the intrusion, he assured me it would
afford him no small pleasure to walk with us to the lawn. “Do sit down,
for a tremendous storm appears to be coming on; we must wait a little.”
His lady, of most elegant manners, at this moment entered the room and
cordially joined in her husband’s wishes to gratify our curiosity,
observing that, if we pleased, she would show us the house. This offer
was made in so delightful a manner, that we were truly sensible of the
indulgence.
Public-domain text, read in full here on John Shaqi.
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