A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833Smith, John Thomas
History
A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833
Smith, John Thomas
Great Britain -- Social life and customs -- 18th century; Great Britain -- Social life and customs -- 19th century
The Doctor, with his accustomed elegance of manners, delighted us during
our repast with some most interesting observations made during his
travels; after which, Flora invited us to the garden, where Mr. Esdaile
had, with his usual liberality, allowed her to display some of her most
rare as well as picturesque sweets. On our return from the enchanting
circuit of the grounds, our general conversation was on the pleasures we
had received; and, indeed, so delighted were we with the entertainment of
the day, that we talked of little else till our arrival at Westminster
Bridge.
[Illustration: LONDON STREET MERCHANTS: DOOR-MATS
ETCHED BY J. T. SMITH]
Beautiful and truly valuable as Mr. Esdaile’s drawings unquestionably
are, it would not only be considered an impeachment upon my judgment, but
a conviction of the deepest injustice towards that wonderful collection
so classically formed by Sir Thomas Lawrence, were I not unequivocally to
state, that this latter is by far the most choice, as well as extensive,
of any I have yet seen or heard of, and perhaps it may be stated with
equal truth, ever formed. What catalogue can boast so formidably of
Michael Angelo, Raphael, Claude, Rubens, and Rembrandt?[442] Surely
none; for I have seen those of Sir Peter Lely, the Duke of Argyle, and
Hudson,[443] at the last of whose sales the immortal Sir Joshua employed
me as one of his bidders, his pupil Mr. Score[444] was another. It would
be assuming too much, to attempt a description of the individual and high
importance of the productions of all the four above-mentioned masters,
possessed by the liberal President.
As prospective pleasures are seldom realised, a truth many of my readers
must acknowledge, and being determined never to colour a picture at once,
but to await the natural course of events,[445] I on the 3rd of August
started with my wife for Hampton Court, not only to see the present state
of that palace, but to notice the sort of porcelain remaining there,
without fixing upon any further plan for the completion of the day’s
amusement.
Public-domain text, read in full here on John Shaqi.
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