The gaiety during the merry month of May was to me most delightful; my feet, though I knew nothing of the positions, kept pace with those of the blooming milkmaids, who danced round their garlands of massive plate, hired from the silversmiths to the amount of several hundreds of pounds, for the purpose of placing round an obelisk, covered with silk fixed upon a chairman’s horse. The most showy flowers of the season were arranged so as to fill up the openings between the dishes, plates, butter-boats, cream-jugs, and tankards. This obelisk was carried by two chairmen in gold-laced hats, six or more handsome milkmaids in pink and blue gowns, drawn through the pocket-holes, for they had one on either side: yellow or scarlet petticoats, neatly quilted, high-heeled shoes, mob-caps, with lappets of lace resting on their shoulders; nosegays in their bosoms, and flat Woffington hats, covered with ribbons of every colour. But what crowned the whole of the display was a magnificent silver tea-urn which surmounted the obelisk, the stand of which was profusely decorated with scarlet tulips. A smart, slender fellow of a fiddler, commonly wearing a sky-blue coat, with his hat profusely covered with ribbons, attended; and the master of the group was accompanied by a constable, to protect the plate from too close a pressure of the crowd, when the maids danced before the doors of his customers.[35] One of the subjects selected by Mr. Jonathan Tyers, for the artists who decorated the boxes for supper-parties in Vauxhall Gardens,[36] was that of Milkmaids on May-day. In that picture (which, with the rest painted by Hayman and his pupils, has lately disappeared) the garland of plate was carried by a man on his head; and the milkmaids, who danced to the music of a wooden-legged fiddler, were extremely elegant. They had ruffled cuffs, and their gowns were not drawn through their pocket-holes as in my time; their hats were flat, and not unlike that worn by Peg Woffington, but bore a nearer shape to those now in use by some of the fish-women at Billingsgate. In Captain M. Laroon’s _Cries of London_, published by Tempest, there is a female entitled “A Merry Milkmaid.”[37] She is dancing with a small garland of plate upon her head; and from her dress I conclude that the Captain either made his drawing in the latter part of King William III.’s reign, or at the commencement of that of Queen Anne. 1772.