By the liberality of my amiable friend, William Henderson, Esq.,[151] I am in possession of a cast taken by Lochee, the modeller, from the face of this wonderful actress, which I intend leaving to that invaluable gallery of theatrical portraits, so extensively formed by that favourite offspring of Nature, Charles Mathews,[152] Esq., at Kentish Town; but should that collection ever be dispersed, which I most heartily trust it never will be, then I desire that it may go to the Green-room of Drury Lane Theatre. To this bequest I subscribe my name, Witnesses to this my declaration, John Thomas Smith. John Bannister. -- Harley.[153] 1783. One of the numerous subjects which I drew this year for Mr. Crowle,[154] was the old brick gateway entrance to St. Giles’s churchyard, then standing opposite to Mr. Remnent’s timber-yard, in which drawing I introduced the figure of old Simon, a very remarkable beggar, who, together with his dog, generally took their station against one of the gate-piers. This man, who wore several hats, at the same time suffered his beard to grow, which was of a dirty yellow-white. Upon his fingers were numerous brass rings. He had several waistcoats, and as many coats, increasing in size, so that he was enabled by the extent of the uppermost garment to cover the greater part of the bundles, containing rags of various colours; and distinct parcels with which he was girded about, consisting of books, canisters containing bread, cheese, and other articles of food; matches, a tinder-box, and meat for his dog; cuttings of curious events from old newspapers; scraps from Fox’s _Book of Martyrs_, and three or four dog’s-eared and greasy thumbed numbers of the _Gentleman’s Magazine_. From these and such like productions he gained a great part of the information with which he sometimes entertained those persons who stopped to look at him. When I knew him,--for he was one of my pensioners,--he and his dog lodged under a staircase in an old shattered building called “Rats’ Castle,” in Dyot Street, mentioned in _Nollekens and his Times_ as that artist’s rendezvous to discover models for his Venuses. Dyot Street has disappeared, and George Street is built on its site.[155] His walks extended to the entrances only of the adjacent streets, whither he either went to make a purchase at the baker’s or the cook’s shops. Rowlandson drew and etched him several times; in one instance Simon had a female placed before him, which the artist called “Simon and Iphigenia.” There is a large whole-length print of him, published by John Seago, with the following inscription:-- SIMON EDY, born at Woodford, near Thrapston, Northamptonshire, in 1709: died May 18, 1783.[156]