Dr. Lort,[202] the constant correspondent of Old Cole,[203] was a man of his own stamp, broad and bony, in height nearly six feet, of manners equally morose, and in every respect just as forbidding. His wig was a large _Busby_, and usually of a brown appearance, for want of a dust of powder. He was chaplain to the Duke of Devonshire; and as he wore thick worsted stockings, and walked anyhow through the mud, considered himself in no way obliged to give the street-sweepers a farthing. He had some wit, however, but it was often displayed in a cowardly manner, being mostly directed towards his little opponent, Doctor Gossett,[204] who was unfortunately much afflicted by deformity, and of a temper easily roused by too frequent a repetition of threepenny biddings at Paterson’s. Paterson sold his books singly, and took threepence at a bidding. Hutchins was about five feet nine inches, but in appearance much shorter by reason of his corpulency. His high forehead, when compared with a perpendicular, was at an angle of forty-five. He was what Spurzheim would call a _simple_ honest man: his wife was of the same build, but most powerfully possessed the organ of inquisitiveness, which induced her to be a constant occupant of a pretty large and easy chair, by the side of the fire in the auction-room, in order that she might see how business was going on. Mr. and Mrs. Hutchins appeared so affectionately mutual in all their public conclusions, that Caleb Whitefoord, the witty wine-merchant, one of the print-sale visitors, attempted to flourish off the following observation as one of his invention: “You see,” said he to Captain Baillie, “Cocker is not always correct; _one_ and _one_ do not in this instance make _two_.”[205] Caleb Whitefoord[206] was what is usually called a slight-built man, and much addicted when in conversation to shrug up his shoulders. He had a thin face, with little eyes; his deportment was gentlemanly, though perhaps sometimes too high for his situation in life. His dress, upon which he bestowed great attention, was in some instances singular, particularly in his hat and wig, which were remarkable as being solitary specimens of the Garrick School. He considered himself _a first-rate_ judge of pictures, always preferring those by the _old masters_, but which he endeavoured to improve by touching up; and when in this conceited employment, I have frequently seen him fall back in his chair, and turn his head from one shoulder to the other, with as much admiration of what he had done, as Hogarth’s sign-painter of the Barley-mow in his inimitable print of Beer Street. [Illustration: LONDON STREET MERCHANTS: UMBRELLAS TO MEND ETCHED BY J. T. SMITH]